Art Deco wedding dress

boat neck wedding dress bloused bodice scrunchie tie groom

A contemporary fusion of 1930’s and Victorian fantasy elements went into the design of Katherine’s wedding dress.

Official photography by Debs Ivelja

I made Katherine’s art deco wedding dress out of buttermilk coloured silk satin and ivory lace with subtle gold thread running through it. The bustle was made of silk chiffon in five subtle dusty-pastel colours and ivory tulle ornamented with a beaded trim.

I also made the groom’s scrunchy-tie in fabric to match the bride’s dress.

confetti shot art deco bride cream pale gold

The style featured a bloused bodice with boat neckline and beaded shoulder detail. I cut the main dress low at the back and filled her open back with beautiful lace. I sewed scalloped edging on the neckline and a button and loop closure.

An extra long sash wrapped around Katherine’s waist more than once and tied to one side with waterfall ends, trimmed with metallic beaded lace. The skirt was bias-cut and had a little puddle train behind. The main dress fastened with a concealed zip and decorative buttons in an Art Deco style, square with a little diamante sparkle to each.

low back wedding dress with Chantilly lace

The back of Katherine’s dress was inspired by quite a different style to the front. The low lace back balances the dramatic bustle made in layers of ethereal tulle, lace and chiffon

Thank you letter for an art deco wedding dress

Katherine wrote:
Thank you so much again for all of your fantastic work everyone just loved the dresses and kept commenting on how unusual mine was!!!
Take care
Katherine. Xxx

beaded lace applique detail mixed metallic

Detail of metallic beaded lace trim, used at shoulder, on sash and top of bustle train.

art deco church wedding bespoke dress
bloused wedding top bodice with veil
bride and bridesmaid in church wedding bias cut
victorian bustle inspired wedding dress

The bustle back was made of tulle, delicate lace and torn chiffon. It buttoned onto the back of the main dress so it was removable for later in the day.

bias cut art deco wedding dress
vintage wedding dress and car
bride and bridesmaids art deco wedding

I also made Katherine’s bridesmaids’ dresses, click here to see more pictures.

cathedral veil bride with train 1930's
made to measure wedding dress sleeveless satin
lifting the hem pale gold wedding bespoke dress
silk satin and lace wedding dress with waterfall sash

The wide satin sash wrapped twice around Katherine’s waist before draping in a waterfall to one side. The edges were weighted with exquisite metallic lace applique.

tulle and silk chiffon train bustle
tulle and silk georgette bustle wedding dress

Tulle bustle train

The amazing bustle train was removable, though in then end Katherine loved it too much to take it off on the day! She could have unfastened the buttons and loops hidden under the sash leaving just the dress beneath to have a simpler look. I made the bustle to look like ‘something found in grandma’s attic’ – clouds of ivory tulle with waterfalls of torn-edge silk chiffon in palest pink, cream, grey and mint. I used lace left over from making the back bodice tucked into places between the tulle. This brought the bustle together with the rest of the dress, despite disparate design inspirations! I timmed more of the metallic beaded edging along the top of the bustle and onto the two ‘bow loops’, which I padded out to be really ‘bustley’ for the luxurious look Katherine craved.

ceilidh wedding dress dance groovy bride

I make sure it will never be said that I let one of my dresses get in the way of dancing!

bride dancing in satin and low back dress
bride and bridesmaids dancing train hookup

Making Katherine’s Art Deco wedding dress

original design sketch by Felicity Westmacott

Original design sketch

calico fitting picture toile practice run

Pictures from the toile (practice run) fitting.

bias cut wedding dress fitting picture made to measure

An intermediate fitting in a partly made dress

tulle bustle wedding dress torn edge chiffon

Fittings with the tulle bustle, before and after adding the torn silk chiffon layers.

fitting picture tulle bustle sash and trim

Detail of the bustle with lace applique pinned on

Detail of the beaded lace trim to the shoulder and art deco button fastening in the delicate chantilly lace.

shoulder applique detail bespoke wedding dress
art deco button and loop detail

To see another wedding dress with a tulle bustle-train you can take a look at this photoshoot for which I supplied several bespoke wedding dresses.

To get in touch to talk about having your own art-deco bespoke wedding dress made to order

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Felicity Westmacott

I write about all aspects of weddings, dressmaking, fashion history, and the human relation to clothing. I welcome comments and debate.

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Destination Vegas. Rockabilly bride. Halloween vibes. 
Sounds like the perfect wedding.

Gorgeous goth Ellie got married in Las Vegas on Halloween. She wanted something alternative, retro and a little spooky. She realised she was never going to find that with an off-the-rack wedding dress. That's where I came in.

I designed and made her white and purple wedding dress with a wonderful blend of 1950’s and 90's shapes, modern styling and subtle Halloween Vixen detail. Harkening back to when Halloween was a little more stylish - perfect for this gothic bombshell. Below the boned bodice, I ruched and layered white satin over sumptuous shot black/purple taffeta and layers and layers of white net. The white satin was spangled all over with hand sewn crystals, ready to sparkle under the Vegas lights. 

My favourite detail? The hand beaded spider web made from Swarovski crystals. Spooky but subtle.
As a seamstress there are certain things that give me the ick. Usually they're pretty specific and unless you're also a dressmaker it might be something you're completely unaware of.

I've always had a ‘thing’ about language generally. I find it really interesting. I've noticed how strong a reaction I can have to people using language differently to what I’m used to. And when I notice that I often go on a bit of a deep dive to understand where that difference stems from. I think coming from a historical costuming background also means I love to know the history of things (and despite my instinctive language-conservative leanings, I do actively work on being accepting and open minded, trying celebrate the differences).

That said, please don’t say your dress has a trail!

Snails have trails - dresses have trains! 🐌
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in
from design to completionbespoke wedding dressesFelicity Westmacott
Dorking, RH4 1RT241 High Street• Visit the Studio •
Dorking, RH4 1RT241 High Street• Visit the Studio •
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in