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"Lauren admits choosing the dress was never going to be easy, given her exacting standards. "I went to about eight boutiques and didn't find anything" she says. "Kate Middleton's dress was my inspiration and I didn't want ruffles, diamantes or anything too big, but I also didn't want anything plain! A local bridal shop gave me details of a dressmaker who lived nearby.
... She drew up a design that I loved, which consisted of a simple top and an amazing train and veil. When I put the dress on, on the morning of the wedding I felt so overwhelmed I burst into tears!"
Article by Paul Travers
From her home studio and workshop in Redhill, Felicity Westmacott makes beautiful bespoke wedding dresses that use every inch of her considerable experience: as a TV and Film costume designer; as a graduate in the history of costume; and as an alterations seamstress with years under her hemline. With an understanding of the different ways of cutting and shaping dresses through the centuries, Felicity can draw on hundreds of years of technical and design knowledge in creating unique and contemporary gowns.
One of Felicity’s pleasures is seeing her clients over the moon with happiness. Her customers generally fall into two main categories: those who have shopped out the stores and simply can’t find the perfect frock (but know the fit they’re looking for), and those who’ve done nothing at all. Felicity sends the second type off to try on a few dresses – some find exactly what they want, and those that don’t come back to begin the design process.
The key advice Felicity has is that every bride must dress to please herself, because no one else could pick the dress meant for her. When someone picks what makes them happy, it will show.
“A wedding dress is a costume,” she says. “It must say something special about this girl on this day, just as a costume tells you about the character and future of someone in a film. The wedding dress tells a story of what a bride wants her future to be. That’s why the dress is important, special, and unique.”
Article by Erin Balfour of Way Out Wedding
“Creating a dress design for a ‘City Burlesque’ theme was fabulous fun. The dress needed to have a vintage, showgirl feel and be really sexy, but still realistic as a bridal dress – not many people actually get married in a leotard and feathers! The wiggle skirt with a boned bodice hit all these marks, showing off our lovely model Vanessa’s curves and cinching her waist. I added a teal net petticoat that would show when the high/low hem moved, and delicate gold lace detail with Swarovski crystals for showgirl glamour!
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“The coat is made in striking Cadbury purple silk dupion, with a vintage 1950s off the shoulder collar neckline. Demure, elegant and still very sexy. The sweeping skirt and train mean that even with a short dress, this bride gets to sweep into the ceremony and swoosh up the aisle. It also means she can do ‘the big reveal’ burlesque style without actually taking off her dress!
See more at wayoutwedding.com
Photography | Jessica Jill Photo Dresses | Felicity Westmacott MUA | Light Up Make-Up Flowers | Muscari Whites Model | Vanessa Asare Shoes | Marsha Hall Hair accessories | Jennifer Levet Millinery