Bespoke Sheer Black Wedding Dress

Bespoke custom made to measure Sheer Black sequin bodycon Wedding Dress hollywood glam

Non-binary stunner, Stevie, saw this Addams Family wedding photoshoot where I made my Morticia inspired look. They knew it was the perfect vibe for them, so they ordered their own bespoke sheer black wedding dress for their own gothic wedding.

This dress is comprised of a simple bodycon fishtail, with a plunging v-neckline front and very low back. I made the dress from modern beaded and sequin sheer fabric, layered over a silver and black floral lace. The skirt flared out from the knee with chiffon godet panels that spread into points at the sides and back to create a statement train behind. And I finished each of the long sleeves with gothic waterfalls and padded shoulders.

This dress, and Stevie wearing it, looks like a combination of Morticia Adams, Vampira and the iconic Bride of Frankenstein. There’s something so sexy about it and I love it!

Scroll down for more gorgeous, vampy photos and a look into how I made the dress.

Photography – Giovanni Logrono Photography

Making of a Bespoke Sheer Black Wedding Dress

Stevie requested a few changes to the original design from the photoshoot. These included making an underlayer for the skirt of skin-coloured stretch fabric. We also made the skirt godets higher, so that Stevie would be able to move around with more ease.

Below, is early on in the process, where the outer part of the dress had been constructed. I still had a lot of work left to do, including all the beading work, the modesty layer and adding those dramatic tendrils (the godets) coming from the skirt.

Some of the work a seamstress does goes entirely unnoticed. In fact, if you’re doing your job right, a lot of it is so subtle that unless you’re into garment construction yourself, you’re not going to see it.

For this bespoke sheer black wedding dress, the bride chose to have a modesty layer underneath the dress. So I constructed a bodice out of a stretch fabric that matched their skin tone. The bodice had to fit Stevie’s body perfectly, so that it looked and felt like a second skin. An ill-fitting base layer becomes obvious by the folding and bunching that can be seen whilst it’s being worn, and can ruin any smooth silhouette you’re trying to achieve. This is when accurate measurements and fittings become essential.

I also added some skin-coloured tulle to the top of the dress, for some added support around the bust.

The back of the design featured a gothic arch, inspired by cathedral windows, fastening across the shoulders. From that arch hung a necklace-back made of faceted jet-black beads. I draped the strings of beads so that a pentagram star appeared where the loops of beads crossed. More beads hung around the top of each sleeve, as well as the high points of the skirt.

And here it is, finished and on the mannequin. Looking nowhere as stunning as it does when Stevie wore it!

If you love the idea of adding a bit of drama to your wedding dress, then I recommend having a look at this red feather masquerade wedding dress. It’s all things moody, dramatic and gothic. Or if you’re looking for more black wedding dress inspiration, there’s this one I made for a classic goth wedding.

And, of course, if you’ve decided this dress is perfect for you, then this design is available to order from my shop.

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Felicity Westmacott

I write about all aspects of weddings, dressmaking, fashion history, and the human relation to clothing. I welcome comments and debate.

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As a seamstress there are certain things that give me the ick. Usually they're pretty specific and unless you're also a dressmaker it might be something you're completely unaware of.

I've always had a ‘thing’ about language generally. I find it really interesting. I've noticed how strong a reaction I can have to people using language differently to what I’m used to. And when I notice that I often go on a bit of a deep dive to understand where that difference stems from. I think coming from a historical costuming background also means I love to know the history of things (and despite my instinctive language-conservative leanings, I do actively work on being accepting and open minded, trying celebrate the differences).

That said, please don’t say your dress has a trail!

Snails have trails - dresses have trains! 🐌
I found this sheet music in my house, and I was so surprised by what it was 🎹🎵

There’s a music stand in my childhood home, and when I was having a look, I found this: “Three Songs composed by Ethel M. Lightfoot”. And my curiosity was peaked. So I sat down at the piano.

When it comes to reading music, I can play piano and sing a little. Nothing outstanding but enough that I could put the music in front of me and have a go at playing it. And I was surprised to discover that I found it was really easy to sightread and sing. Ethel liked the same key signatures, melodies and intervals as me. The things I wrote in my teens (usually quite a bit more angsty) were really similar in terms of structure. Her themes were different, of course, like “Cradle Song”, where a mother sings to her child about their father being away at war.

Ethel, as it turns out, is my great grandmother. Ethel was a musician, and it was so wonderful to find some of her published work, play it and somehow feel connected to her through our similarities. Somewhere in my blood is Ethel’s love for music, and it was so special to find her sheet music flowing so easily from my fingertips.

I love learning about history generally, but there’s something extra special about learning about your own personal history 💜

Is there something from your family history that you’re particularly proud of?
With leaves starting to change to colour, my thoughts have turned to autumn. So I'm sharing my process for this autumn inspired dip dye wedding outfit;
🍁 deciding I wanted to layer a dip dye overskirt on top of the bridal playsuit
🍁choosing lots of warm, rich colours that make me think of autumn leaves carpeting a forest floor
🍁 cutting the tulle of the skirt to the right length 
🍁 gradually blending each layer of colour, using an ombre of yellow, orange, brown and just a little bit of gold at the end
…and then the finished product!

Doesn't this bridal outfit look right at some in the woods?

If you love the idea of an overskirt for your wedding dress, drop me a DM and let’s talk colour palettes!

~
Photographer: @charlymaephotography
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in
from design to completionbespoke wedding dressesFelicity Westmacott
Dorking, RH4 1RT241 High Street• Visit the Studio •
Dorking, RH4 1RT241 High Street• Visit the Studio •
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in