Bespoke Sheer Black Wedding Dress

Bespoke custom made to measure Sheer Black sequin bodycon Wedding Dress hollywood glam

Non-binary stunner, Stevie, saw this Addams Family wedding photoshoot where I made my Morticia inspired look. They knew it was the perfect vibe for them, so they ordered their own bespoke sheer black wedding dress for their own gothic wedding.

This dress is comprised of a simple bodycon fishtail, with a plunging v-neckline front and very low back. I made the dress from modern beaded and sequin sheer fabric, layered over a silver and black floral lace. The skirt flared out from the knee with chiffon godet panels that spread into points at the sides and back to create a statement train behind. And I finished each of the long sleeves with gothic waterfalls and padded shoulders.

This dress, and Stevie wearing it, looks like a combination of Morticia Adams, Vampira and the iconic Bride of Frankenstein. There’s something so sexy about it and I love it!

Scroll down for more gorgeous, vampy photos and a look into how I made the dress.

Photography – Giovanni Logrono Photography

Making of a Bespoke Sheer Black Wedding Dress

Stevie requested a few changes to the original design from the photoshoot. These included making an underlayer for the skirt of skin-coloured stretch fabric. We also made the skirt godets higher, so that Stevie would be able to move around with more ease.

Below, is early on in the process, where the outer part of the dress had been constructed. I still had a lot of work left to do, including all the beading work, the modesty layer and adding those dramatic tendrils (the godets) coming from the skirt.

Some of the work a seamstress does goes entirely unnoticed. In fact, if you’re doing your job right, a lot of it is so subtle that unless you’re into garment construction yourself, you’re not going to see it.

For this bespoke sheer black wedding dress, the bride chose to have a modesty layer underneath the dress. So I constructed a bodice out of a stretch fabric that matched their skin tone. The bodice had to fit Stevie’s body perfectly, so that it looked and felt like a second skin. An ill-fitting base layer becomes obvious by the folding and bunching that can be seen whilst it’s being worn, and can ruin any smooth silhouette you’re trying to achieve. This is when accurate measurements and fittings become essential.

I also added some skin-coloured tulle to the top of the dress, for some added support around the bust.

The back of the design featured a gothic arch, inspired by cathedral windows, fastening across the shoulders. From that arch hung a necklace-back made of faceted jet-black beads. I draped the strings of beads so that a pentagram star appeared where the loops of beads crossed. More beads hung around the top of each sleeve, as well as the high points of the skirt.

And here it is, finished and on the mannequin. Looking nowhere as stunning as it does when Stevie wore it!

If you love the idea of adding a bit of drama to your wedding dress, then I recommend having a look at this red feather masquerade wedding dress. It’s all things moody, dramatic and gothic. Or if you’re looking for more black wedding dress inspiration, there’s this one I made for a classic goth wedding.

And, of course, if you’ve decided this dress is perfect for you, then this design is available to order from my shop.

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felicity westmacott wearing a hat

Felicity Westmacott

I write about all aspects of weddings, dressmaking, fashion history, and the human relation to clothing. I welcome comments and debate.

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I have always loved working on cultural fusion wedding dresses, and I have been very lucky that many brides trust me with this process.

For Vidushi's bespoke wedding dress, we worked to combine her Indian heritage with her husband's Polish culture. She sourced the base dress and three beautiful red saris, and we began the process of discovering the kind of fusion she was looking for. 

The final result is the perfect blend of east and west ❤️

Wedding photography by @whiteframestorytellers_
Four years ago, I opened my bridal shop after working from home for the past 16 years. It was a huge decision and I had so many thoughts, so many pros and cons, and so many fears going round and round.

Here are just three of the doubts I had about buying the shop:

1.	The Commute
You know how sometimes the idea of something just feels bad, and then it turns out the reality of it is fine? That.
I worried about how long it would take, about traffic, about wasting time.

But the shop is just an 18-minute drive and I don't notice the time pass. I even cycle there occasionally, which is good for both my body and my mind. And it is so worth it for the separation between home life and work life. I can let my creativity lead me, instead of the distractions of a busy house.

2.	Premise Costs
My dad once told me, “The only person who makes money from small retail is the landlord", and I worried all my income would disappear into rent. But I was in the very privileged position to be able to buy my shop. This means the shop is an investment, as well as a workshop and a welcoming space for my brides.

3.	Self-Doubt
The loudest voice, with constant thoughts about whether the shop would be good enough, would anyone come in and would anyone like my work. 
But they do. Brides who see the dresses in the window, then visit the shop and often choose to work with me.

I am so grateful to my past self, and everyone who supported me in taking the leap. All the doubt was really worth it. 

Here’s to another four years, and hopefully many more 🤍
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in
from design to completionbespoke wedding dressesFelicity Westmacott
Dorking, RH4 1RT241 High Street• Visit the Studio •
Dorking, RH4 1RT241 High Street• Visit the Studio •
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in