Traditional Christening Gown and Waistcoat for family S

bespoke christening gown on babe in arms

I was privileged to be asked to make two christening ensembles for Family S. We used fabrics left over from Mummy’s wedding dress to create a traditional christening gown for their baby girl and an 18th century style waistcoat, cravat and trousers for their little boy.

Baby christening gown from mothers wedding dress in brown and cream

Traditional Christening Gown with long skirt

The family decided on a christening dress made in the traditional ‘long gown’ style. This is where the skirt extends significantly beyond the babies toes. Obviously this style is only suitable for very young babies, before crawling age. In bygone eras all newborn babies clothing were made as ‘long gowns’ and the transition to their first ‘short dresses’ was a significant milestone.

pageboy waistcoat for church wedding

18th century style Waistcoat

We used fabric left over from the bodice of his mother’s wedding dress to make the waistcoat. I made the waistcoat with 18th century styling including a square bottom and high lapels. Our little man wore brown silk trousers and a matching traditional cravat to finish the ensemble.

18the century style Christening waistcoat and trousers
boys 18th century style waistcoat and cravat for toddler page boy on stand
waistcoat cover button detail with pearl and embroidery

The fabric for the waistcoat and dress bodice was incredibly beautiful and detailed. The silk organza was printed with a brown pattern on a cream background. The fabric designer had added cream and silver chain stitch detailing and well as hundreds of tiny pearls.

naming ceremony gown ruched sash
Long gown traditional christening gown back view with buttons

I made the traditional christening dress with couture details like these tiny covered buttons and french seams in the sheer silk chiffon. It had a simple round neckline and sleeveless bodice. I added a ruched sash to soften the join of bodice to the long, cream, silk chiffon skirt.

cover button and buttonhole detail on bespoke christening gown
Wedding dress by Linda Makin

Original Wedding Dress

Two pictures of the wedding dress originally made by Wendy Makin of Brisbane. I think the non-traditional wedding colours with more traditional wedding styling fitted their alternative but old fashioned tastes perfectly. We copied the styling and shapes of the wedding dress to make the the christening gown a really special keepsake.

Wedding dress by Linda Makin

See more examples of christening gowns I have made using mum’s wedding dress on my christening dress portfolio page. And this one was also made from Mum’s wedding dress.

Add a comment...

Your email is never published or shared. Required fields are marked *

Felicity Westmacott

I write about all aspects of weddings, dressmaking, fashion history, and the human relation to clothing. I welcome comments and debate.

Recent Portfolio entries

Read More
follow me on instagram@felicitywestmacott

Even though Rebecca lives in Germany, she sought me out specifically to make her bespoke wedding dress. She had seen my colour work and fantasy-inspired designs, and decided I was the perfect fit for her (pun intended!). 

She wanted a wedding dress fit for an ethereal princess, complete with this stunning pastel rainbow gradient. This kind of effect can't be achieved with dip dye. I had to use a different technique; ombre-dying. 

If you feel like you should have been born as an elven queen in a romantasy novel, then I might just be the right person to bring that dream to life ✨
Destination Vegas. Rockabilly bride. Halloween vibes. 
Sounds like the perfect wedding.

Gorgeous goth Ellie got married in Las Vegas on Halloween. She wanted something alternative, retro and a little spooky. She realised she was never going to find that with an off-the-rack wedding dress. That's where I came in.

I designed and made her white and purple wedding dress with a wonderful blend of 1950’s and 90's shapes, modern styling and subtle Halloween Vixen detail. Harkening back to when Halloween was a little more stylish - perfect for this gothic bombshell. Below the boned bodice, I ruched and layered white satin over sumptuous shot black/purple taffeta and layers and layers of white net. The white satin was spangled all over with hand sewn crystals, ready to sparkle under the Vegas lights. 

My favourite detail? The hand beaded spider web made from Swarovski crystals. Spooky but subtle.
As a seamstress there are certain things that give me the ick. Usually they're pretty specific and unless you're also a dressmaker it might be something you're completely unaware of.

I've always had a ‘thing’ about language generally. I find it really interesting. I've noticed how strong a reaction I can have to people using language differently to what I’m used to. And when I notice that I often go on a bit of a deep dive to understand where that difference stems from. I think coming from a historical costuming background also means I love to know the history of things (and despite my instinctive language-conservative leanings, I do actively work on being accepting and open minded, trying celebrate the differences).

That said, please don’t say your dress has a trail!

Snails have trails - dresses have trains! 🐌
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in
from design to completionbespoke wedding dressesFelicity Westmacott
Dorking, RH4 1RT241 High Street• Visit the Studio •
Dorking, RH4 1RT241 High Street• Visit the Studio •
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in