Traditional Christening Gown and Waistcoat for family S

bespoke christening gown on babe in arms

I was privileged to be asked to make two christening ensembles for Family S. We used fabrics left over from Mummy’s wedding dress to create a traditional christening gown for their baby girl and an 18th century style waistcoat, cravat and trousers for their little boy.

Baby christening gown from mothers wedding dress in brown and cream

Traditional Christening Gown with long skirt

The family decided on a christening dress made in the traditional ‘long gown’ style. This is where the skirt extends significantly beyond the babies toes. Obviously this style is only suitable for very young babies, before crawling age. In bygone eras all newborn babies clothing were made as ‘long gowns’ and the transition to their first ‘short dresses’ was a significant milestone.

pageboy waistcoat for church wedding

18th century style Waistcoat

We used fabric left over from the bodice of his mother’s wedding dress to make the waistcoat. I made the waistcoat with 18th century styling including a square bottom and high lapels. Our little man wore brown silk trousers and a matching traditional cravat to finish the ensemble.

18the century style Christening waistcoat and trousers
boys 18th century style waistcoat and cravat for toddler page boy on stand
waistcoat cover button detail with pearl and embroidery

The fabric for the waistcoat and dress bodice was incredibly beautiful and detailed. The silk organza was printed with a brown pattern on a cream background. The fabric designer had added cream and silver chain stitch detailing and well as hundreds of tiny pearls.

naming ceremony gown ruched sash
Long gown traditional christening gown back view with buttons

I made the traditional christening dress with couture details like these tiny covered buttons and french seams in the sheer silk chiffon. It had a simple round neckline and sleeveless bodice. I added a ruched sash to soften the join of bodice to the long, cream, silk chiffon skirt.

cover button and buttonhole detail on bespoke christening gown
Wedding dress by Linda Makin

Original Wedding Dress

Two pictures of the wedding dress originally made by Wendy Makin of Brisbane. I think the non-traditional wedding colours with more traditional wedding styling fitted their alternative but old fashioned tastes perfectly. We copied the styling and shapes of the wedding dress to make the the christening gown a really special keepsake.

Wedding dress by Linda Makin

See more examples of christening gowns I have made using mum’s wedding dress on my christening dress portfolio page. And this one was also made from Mum’s wedding dress.

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Felicity Westmacott

I write about all aspects of weddings, dressmaking, fashion history, and the human relation to clothing. I welcome comments and debate.

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I have always loved working on cultural fusion wedding dresses, and I have been very lucky that many brides trust me with this process.

For Vidushi's bespoke wedding dress, we worked to combine her Indian heritage with her husband's Polish culture. She sourced the base dress and three beautiful red saris, and we began the process of discovering the kind of fusion she was looking for. 

The final result is the perfect blend of east and west ❤️

Wedding photography by @whiteframestorytellers_
Four years ago, I opened my bridal shop after working from home for the past 16 years. It was a huge decision and I had so many thoughts, so many pros and cons, and so many fears going round and round.

Here are just three of the doubts I had about buying the shop:

1.	The Commute
You know how sometimes the idea of something just feels bad, and then it turns out the reality of it is fine? That.
I worried about how long it would take, about traffic, about wasting time.

But the shop is just an 18-minute drive and I don't notice the time pass. I even cycle there occasionally, which is good for both my body and my mind. And it is so worth it for the separation between home life and work life. I can let my creativity lead me, instead of the distractions of a busy house.

2.	Premise Costs
My dad once told me, “The only person who makes money from small retail is the landlord", and I worried all my income would disappear into rent. But I was in the very privileged position to be able to buy my shop. This means the shop is an investment, as well as a workshop and a welcoming space for my brides.

3.	Self-Doubt
The loudest voice, with constant thoughts about whether the shop would be good enough, would anyone come in and would anyone like my work. 
But they do. Brides who see the dresses in the window, then visit the shop and often choose to work with me.

I am so grateful to my past self, and everyone who supported me in taking the leap. All the doubt was really worth it. 

Here’s to another four years, and hopefully many more 🤍
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in
from design to completionbespoke wedding dressesFelicity Westmacott
Dorking, RH4 1RT241 High Street• Visit the Studio •
Dorking, RH4 1RT241 High Street• Visit the Studio •
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in