Edwardian Inspired Wedding Dress

Rachel contacted me wanting a bespoke early 1910s inspired bridal look. Of all the brides I’ve worked with, she was the one who wanted the dress to be the most historically correct. Although not exact (for example, we didn’t include any corseting), she wanted a period accurate silhouette.

During our chats, consultations and fittings I discovered that Rachel works at university teaching adjacent to history of dress and costume. Considering my own, similar background, I felt so honoured she chose me to make her wedding dress! Birds of a feather!

I had such a wonderful time working with Rachel, and the end result is this beautiful Edwardian inspired wedding dress.

Photography – Darren Kirwan⁠

I’m not sure if ‘alchemist’ or even ‘genius’ cuts it. More like ‘wonderful wizard of beautiful stuffs’. What a dress. What talent. So beautiful. You cut it out and stitched it straight from my dreams.

Real bride, Rachel

Designing an Edwardian Inspired Wedding Dress

The inspiration for Rachel’s wedding dress was the late Edwardian era, around the 1910s. Common features from that period were empire waistlines and square necklines, although as with all epochs of fashion, there was still a lot of variation to be found. This particular era was a lot more relaxed and bohemian compared to previous decades, which had been much more restrictive.

Rachel could have opted for other era-accurate details, like the structured undergarments that would have been common then. But she decided that comfort was far more important (and I’m inclined to agree)! If you plan on wearing your dress all day, considering comfort can be a big factor in the design process.

The Making Of An Edwardian Inspired Wedding Dress

Rachel is from Ireland, so in order to save time and money travelling, she would book a hotel in Surrey for two or three days at a time. In that space we booked multiple fittings, then she would fly home again.

In the first few fittings she tried on the toile (the test run of the dress, but in a cheap material), and I would make note of any adjustments needed. During this process the top layer of skirt changed from the original design. Rachel felt there were too many layers, so we reduced them, no problem.

Being Irish, Rachel wanted to include antique Irish Limerick lace, so she sourced two vintage lace stoles (like a shawl but smaller and usually rectangular). We decided to wait until she had found them to decide exactly what we wanted to do with them. Opting to work with the pieces, rather than make the pieces work for us. Once she had them we experimented with what would be best to show off the lace, playing around with placement.

We decided on the following: over the main dress shell, I added one stole barely cut (just a gap for the zip) with sleeves and a cross-over front. The other stole was cut up and used as a source of lace motifs. I cut the edging and the floral designs, appliquéing them onto the draping and train at the back.

1920s art deco mustard umber burnt orange velvet cocoon coat

When Rachel was at my shop for a fitting, she spotted a 1920s art deco style cocoon coat I had made for a styled wedding shoot. She tried it on and bought it that day. It was never intended to go with dress – it was just a spur of the moment purchase. I’m so happy it found a good home. I often put garments made for photoshoots for sale on my Etsy shop once the shoot is done.

The Final Result

It was such a pleasure to geek out with Rachel during this making process. I think I’m safe is saying she was happy with the end result – a completely custom made Edwardian inspired wedding dress, featuring antique lace to represent her Irish heritage.

If you’re looking for more Edwardian inspiration, you can find others I’ve made here (with a Downton Abbey theme) and here for a mature bride.

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Felicity Westmacott

I write about all aspects of weddings, dressmaking, fashion history, and the human relation to clothing. I welcome comments and debate.

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As a wedding dress maker, I would say the fitting process is when I need my brides to trust in me the most. It's all well and good showing them beautiful drawings and fabrics, but when it comes to those first fittings, things can look very different to what you imagined. And that's fine!

All art goes through a process, whether it's layering oil paints on a canvas, or refining the clay of a sculpture...but an artist knows, it will all be worth it in the end.

I think the finished result looks absolutely beautiful, and that’s thanks to those fittings, where I could refine, check and double check, and make sure this bride’s dress fitted her perfectly!

If you want to see photos from Laura's wedding day with this dress in action, on a beautiful, snowy day, then have a look at my earlier post.

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#weddingdress #wedding #bride #bespokeweddingdress #customdress #weddinggown #londonbridaldesigner #surreybridaldesigner #surreydressmaker #londondressmaker
Watch til the end to see this beautifully ethereal dip-dyed wedding dress 👗 

I did 4 rounds of dyeing to get the perfect, dusk to midnight blue ombre, but it was so worth it!

I do a lot of custom dip dying, and I've noticed that blue is really on trend at the moment. But what's wonderful, is that there's still so much variety that can be had. My dip dying service comes entirely customisable, with up to five possible colours in the gradient. Some brides choose blues, but include purples and even black into their colour choices. Other brides stick with paler hues, whilst others go for the deeper, darker shades. It's always exciting to see my brides' imaginations running wild!

What colours would you add to your wedding dress?

If you want to see the bride looking like a fairy getting married in the woods, have a look at the post before this one.
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in
from design to completionbespoke wedding dressesFelicity Westmacott
Dorking, RH4 1RT241 High Street• Visit the Studio •
Dorking, RH4 1RT241 High Street• Visit the Studio •
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in