Blog - Musings from the mind of a bespoke dressmaker.

Wedding advice, fashion, history, photoshoots and behind the scenes.

 

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Wedding Dress for Kate

Wedding dress by Felicity Westmacott, bias cut silk crepe with cowl neckline, low back and wing train

Kate commissioned a soft floaty gown in ivory silk satin and silk georgette with touches of Nottingham lace

The dress was made with a simple bias-cut skirt in satin with the georgette as an overlay. Above the high waistline the bodice had a sweet heart neckline and gathered georgette straps which widened as the went over the shoulder to become the ‘wings’ at the back. The bodice was actually lightly boned but this was completely hidden by a soft draped cowl. The lace was used on the bodice peeping out above the cowl on the sweetheart neckline.

Wedding dress by Felicity Westmacott, bias cut silk crepe with cowl neckline, low back and wing train

At the back the high waistline sloped very steeply down to the small of the back and the lace panel above was kept slim to create a low, open back line. Half inch wide straps held the dress in place while ‘wings’ of georgette cascaded from the shoulders to beyond the puddle train of the main dress. The edges of each wing were trimmed with the scalloped edge of the same Nottingham lace. The dress fastened at centre back with a concealed zip. ?A hook up button was provided for the train in the evening and a ribbon which tied the ‘wings’ back gracefully as well so Kate could dance without a care!

Wedding dress by Felicity Westmacott, bias cut silk crepe with cowl neckline, low back and wing train Wedding dress by Felicity Westmacott, bias cut silk crepe with cowl neckline, low back and wing train

Original design sketch

Wedding dress by Felicity Westmacott, bias cut silk crepe with cowl neckline, low back and wing train

These pictures show the detail of the front bodice with lace, cowl, sweetheart neckline and gathered straps. The lace on the back panels was ‘faded’ into the front cowl by using the scalloped edge over the seam.

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In order for a bride to look beautiful and serene as they walk down the aisle, some thought has to go in to make sure that her dress is sitting just right.

Most of the time when I make bespoke wedding dresses, I'm not there on the day. But sometimes the dresses can be tricky to put on. If the bride's team aren't with her during her final fitting, they're not going to know how to make sure her dress is done up correctly and ready for the aisle. Especially if there are multiple layers, or corsets to tighten. So here's a little look into how I guide a bride's dresser. 

I go step by step through the process, carefully explaining how each layer does up, and giving any tips I think would be useful. 

This particular video wasn't for a bridal party, but for a shoot organiser. In the past I've sent dresses away to shoots and only after receiving the photos do I realise the dress was put on wrong! So now I make sure to arm the organisers with the knowledge they need. It's always good to learn from your mistakes!

Looking at the different between the dress on the mannequin and on the model makes me think: wedding dress really come alive once its on a bride. Don't you agree?

~
Suppliers
Photographer: @english.rose.photography
Concept/Cake Designer: @primrosecakesipswich
Venue: @hintleshamhall
Decor/Styling: @giantgesturessuffolk 
Models: @youdeservelove88
Wedding Dress: @felicitywestmacott
Veil: @hannahcummingsembroidery
Hair/MUA: @maxine_pfander
Bridal Shoes: @the_new_glass_slipper
Groom Outfit: @goldingnewmarket
Table Decor/Styling: @the_prop_library
Chair Drapes: @extravorganza1
Stationary: @moocollection_calligraphy
Jewellery: @nujewellery_byemma
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in
from design to completionbespoke wedding dressesFelicity Westmacott
Dorking, RH4 1RT241 High Street• Visit the Studio •
Dorking, RH4 1RT241 High Street• Visit the Studio •
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in