Cruella Couture Wedding Dress London

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I created this couture Cruella Deville wedding dress for a Cruella themed wedding photoshoot in London. I was very lucky to get the blessing of award-winning costume design (and personal friend), Jenny Beavan. Jenny designed the costumes for the 2021 live action Cruella and her designs formed the inspiration for this bridal look.

All the film, TV and pop culture reference wedding dresses I make are never direct copies of original designs – they’re a starting point. I’m not trying to re-create, but instead re-imagine, the character and ask myself what they would wear if they were getting married in the modern day.

This Cruella is rebellious, sexy and completely unapologetic in her beliefs. A high fashion punk, she stands for what she believes in, and she isn’t afraid of a little scandal. An empowered feminist, she sounds like my kind of person, and I was thrilled to be able to design something that reflects a “difficult woman”.

Keep scrolling for more gorgeous photos (by the brilliant Lex Fleming), some adorable dogs and info about all our brilliant London wedding suppliers.

Rock My Wedding blog also featured this shoot – have a look to hear more about the shoot from a different perspective.

The Villainess’ Lair

When choosing the venue for our Cruella couture wedding dress London photoshoot, Woolwich Works felt like a no-brainer. The exposed bricks of this ex-factory are giving industrial chic, that feels right at home with Cruella’s ambitious nature and her roots.

Our team embellished the space perfectly, with flowers arranged by Femme Petale, stationery from Peach Wolfe and furniture supplied by Juno Hire. Revelry Events did an amazing job with planning and styling this shoot. Their attention to detail is stunning, all the way down to the upcycled antique figurines being painted in the same style as the cake. And the splattered candles looking like the spots a of dalmatian!

Cruella is all about putting a fresh spin on things that feel old and outdated, and that’s exactly what our suppliers did!

Couture Cruella

This outfit has a lot of different elements, so strap in!

I made the main dress from figure-hugging stretch duchess satin. The bodice was pleated and folded to look like origami, with a plunge neckline and dipped back. I wanted the dress to look couture, and the folded paper elements felt like something a bit different.

The skirt is fit and flare (or fishtail or mermaid, take your pick), with the stretchy fabric forming around the model’s beautiful shape. I made a huge tulle bustle skirt, which hooked on at the back. The origami peplum was added to echo the details of the bodice. I chose to partially hold it all together with safety pins, as Punk-sensibilty Cruella did so much. For this element, I drew inspiration from the trash dress in the film, where Cruella is seen emerging from a dumpster, in rubbish bin couture! In total, the train was about 12 ft and, as you can see from the photos, a big statement!

I also design a silk organza coat with statement sleeves. This piece was repurposed from a previous shoot. I adjusted it a little, because I thought it was perfect for Cruella. Repurposing and upcycling is very much within her character, so it felt right. The dress coat had silk organza statement sleeves, a yoke collar neckline and a fastening at the front. I added lace applique at the back to echo the lace applique on the dress beneath. And I added a hood, as a reference to the reoccurring design element within the film’s costumes for Cruella.

A Little Something Extra

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I like to make my designs versatile, so a bride can change her look throughout the day.

I accessorised Cruella’s dress with my own black velvet jacket. It’s actually a children’s traditional Scottish dance costume. I bought it in Edinburgh about 20 years ago when I was rifling through the vintage markets. It’s pretty much falling apart, but I love it and I think it’s perfect for Cruella’s vintage mix and match look.

I made a second skirt for this photoshoot, which I also made from the same stretch satin. For this skirt, I kept it simple, with a black lace insert (or godet panel) at the back. Near the end of the shoot, I got to have some fun spray painting directly onto the dress. The graffiti element felt like it leant into Cruella’s anti-establishment sentiments. And it felt like a reference to the iconic 1999 spray paint dress by Alexandra McQueen.

Treats for Good Girls and Boys

uk london supplier red velvet tiered wedding cake

Daisy Cake Company crafted the delicious, artistic cake. Red velvet was the only choice for a red, white and black wedding theme. Bronya made the three-tiered, minimalist wedding cake, expertly splattered with flicks of black and red. She also made the darling little red velvet cake bites to snack on throughout the day.

Put On Your War Paint and Arm Yourself With Jewels

This necklace is very special. The original piece from the film was made by Moxham, company owned by a friend of the film’s costume designer, Jenny Beavan. Jenny kindly organised for us to borrow another version of the necklace for the shoot.

Kayleigh K nailed the make up for this couture Cruella wedding dress shoot – a sultry red lip and a dark smoky eye. This isn’t your traditional bride – she’ll leave a lipstick stain when she bites you!

And Makeup In Orangeries‘ hair design is just so refreshing! She chose a messy up do, as though Cruella was running late, threw her hair up and managed to look effortlessly stylish in the process. And we couldn’t have found a more perfect Cruella in Victoria Sirotyuk – absolutely stunning and so full of haute couture attitude!

My Future, My Choice

If it wasn’t already obvious, the groom was styled after one of the henchmen, Jasper, modelled perfectly by Marco Farris. We sprayed the back of his jacket with “My Future”. We thought that our Cruella would probably love the celebration part of the wedding, but she may choose not to get legally married. So she’s labelled her groom as “my future” – she’s claiming it, it’s hers. She’s top dog.

Phew, what a shoot!

It was a huge honour to get Jenny Beavan’s blessing for this project. Beyond being a family friend, she has been an inspiration for much of my career. Her designs are award-winning, including the Oscar she won for the costume design in Cruella. So thank you, Jenny!

Looking for more sexy, empowered bridal inspiration? I think this sultry Morticia Addams inspired wedding dress is a great place to start. Or how about this couture lace fishtail wedding dress?

Suppliers

Photography – Lex Fleming
Planning and Styling – Revelry Events
Venue – Woolwich Works
Dress – Felicity Westmacott
Flowers – Femme Petale
Hair – Makeup In Orangeries
Necklace – Moxham
MUA – Kayleigh K
Cake – Daisy Cake Company
Furniture – Juno Hire
Stationery – Peach Wolfe
Bride – Victoria Sirotyuk
Groom – Marco Farris
Concept inspired by Jenny Beavan

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Felicity Westmacott

I write about all aspects of weddings, dressmaking, fashion history, and the human relation to clothing. I welcome comments and debate.

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As a seamstress there are certain things that give me the ick. Usually they're pretty specific and unless you're also a dressmaker it might be something you're completely unaware of.

I've always had a ‘thing’ about language generally. I find it really interesting. I've noticed how strong a reaction I can have to people using language differently to what I’m used to. And when I notice that I often go on a bit of a deep dive to understand where that difference stems from. I think coming from a historical costuming background also means I love to know the history of things (and despite my instinctive language-conservative leanings, I do actively work on being accepting and open minded, trying celebrate the differences).

That said, please don’t say your dress has a trail!

Snails have trails - dresses have trains! 🐌
I found this sheet music in my house, and I was so surprised by what it was 🎹🎵

There’s a music stand in my childhood home, and when I was having a look, I found this: “Three Songs composed by Ethel M. Lightfoot”. And my curiosity was peaked. So I sat down at the piano.

When it comes to reading music, I can play piano and sing a little. Nothing outstanding but enough that I could put the music in front of me and have a go at playing it. And I was surprised to discover that I found it was really easy to sightread and sing. Ethel liked the same key signatures, melodies and intervals as me. The things I wrote in my teens (usually quite a bit more angsty) were really similar in terms of structure. Her themes were different, of course, like “Cradle Song”, where a mother sings to her child about their father being away at war.

Ethel, as it turns out, is my great grandmother. Ethel was a musician, and it was so wonderful to find some of her published work, play it and somehow feel connected to her through our similarities. Somewhere in my blood is Ethel’s love for music, and it was so special to find her sheet music flowing so easily from my fingertips.

I love learning about history generally, but there’s something extra special about learning about your own personal history 💜

Is there something from your family history that you’re particularly proud of?
With leaves starting to change to colour, my thoughts have turned to autumn. So I'm sharing my process for this autumn inspired dip dye wedding outfit;
🍁 deciding I wanted to layer a dip dye overskirt on top of the bridal playsuit
🍁choosing lots of warm, rich colours that make me think of autumn leaves carpeting a forest floor
🍁 cutting the tulle of the skirt to the right length 
🍁 gradually blending each layer of colour, using an ombre of yellow, orange, brown and just a little bit of gold at the end
…and then the finished product!

Doesn't this bridal outfit look right at some in the woods?

If you love the idea of an overskirt for your wedding dress, drop me a DM and let’s talk colour palettes!

~
Photographer: @charlymaephotography
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in
from design to completionbespoke wedding dressesFelicity Westmacott
Dorking, RH4 1RT241 High Street• Visit the Studio •
Dorking, RH4 1RT241 High Street• Visit the Studio •
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in