Girls Didn’t Wear Pink

Until wash-fast chemical dyes were widespread (1940’s/50’s) most children were dressed largely in white, whether boys or girls, right up until the age or six or seven. Of course they did wear other colours too, but white was practical as the clothes and nappies could be bleached. As they grew up styles were chosen that were simplified reflections of what adults wore. Red was considered a strong, aggressive, masculine shade associated with the military and virility. While blue had long been  associated with the Virgin Mary and was considered delicate, gentle and feminine. So dressing children in paler versions of the adult colours meant boys were often seen in pink, while girls were dressed in pale blue. That is not to say it wasn’t just as often the other way around, but there was not such a hard and fast ‘rule’ as today and no name calling if a boy was wearing pink. Enough doubt existed as to which way was correct that one mother wrote to a magazine for confirmation as to what she should do and childcare manuals would each put forward their favoured choice.

During their early months the little man and little woman dress exactly alike unless Master Baby should have pink for the prevailing color in his wardrobe and its accessories the baby boy color; while Miss Baby will have blue, as that is supposed to be the girl baby color.

Cost of the American Baby, New York Times, 26 March 1905: page 31

The Baby’s Toilet – Chapter XI – The Baby’s Basket – It is a French fancy to have blue for a boy and pink for a girl, but pale primrose yellow, delicate green, or crimson in winter, look equally well. [43]

The Care of Children, by Elisabeth Robinson Scovil

The colours had other associations too, not just for gender. Blue was often the usual colour of school uniforms, for boys and girls as it was associated with seriousness and study.  Pink was linked to  childhood and softness, play and being carefree.

Much later, the stereotypes we are familiar with today began to prevail. This was partly influenced by the Hindu ideas British people brought from their Indian sojourns. Some Indian traditions said that blue was ‘heavenly’ and therefore Male and pink was ‘of the flesh’ and therefore Female.

In fact scientific research has been conducted showing that babies and young children of both sexes tend to favour pink. Perhaps there is some evolutionary reason for our tendency to be drawn to colours in the pink/red spectrum, unless it has been drummed out of us by cultural conditioning! Other research shows that women are, on average, more sensitive to colour variation than men which is reflected in a tendency to use more colour words where men group colour together. So don’t just blame gender marketing for your daughter’s pink preference, it’s more that boys are sadly encouraged OUT of it than that girls are pushed that way. Free the PINK!

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Felicity Westmacott

I write about all aspects of weddings, dressmaking, fashion history, and the human relation to clothing. I welcome comments and debate.

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I found this sheet music in my house, and I was so surprised by what it was 🎹🎵

There’s a music stand in my childhood home, and when I was having a look, I found this: “Three Songs composed by Ethel M. Lightfoot”. And my curiosity was peaked. So I sat down at the piano.

When it comes to reading music, I can play piano and sing a little. Nothing outstanding but enough that I could put the music in front of me and have a go at playing it. And I was surprised to discover that I found it was really easy to sightread and sing. Ethel liked the same key signatures, melodies and intervals as me. The things I wrote in my teens (usually quite a bit more angsty) were really similar in terms of structure. Her themes were different, of course, like “Cradle Song”, where a mother sings to her child about their father being away at war.

Ethel, as it turns out, is my great grandmother. Ethel was a musician, and it was so wonderful to find some of her published work, play it and somehow feel connected to her through our similarities. Somewhere in my blood is Ethel’s love for music, and it was so special to find her sheet music flowing so easily from my fingertips.

I love learning about history generally, but there’s something extra special about learning about your own personal history 💜

Is there something from your family history that you’re particularly proud of?
With leaves starting to change to colour, my thoughts have turned to autumn. So I'm sharing my process for this autumn inspired dip dye wedding outfit;
🍁 deciding I wanted to layer a dip dye overskirt on top of the bridal playsuit
🍁choosing lots of warm, rich colours that make me think of autumn leaves carpeting a forest floor
🍁 cutting the tulle of the skirt to the right length 
🍁 gradually blending each layer of colour, using an ombre of yellow, orange, brown and just a little bit of gold at the end
…and then the finished product!

Doesn't this bridal outfit look right at some in the woods?

If you love the idea of an overskirt for your wedding dress, drop me a DM and let’s talk colour palettes!

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Photographer: @charlymaephotography
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in
from design to completionbespoke wedding dressesFelicity Westmacott
Dorking, RH4 1RT241 High Street• Visit the Studio •
Dorking, RH4 1RT241 High Street• Visit the Studio •
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in