Chantilly lace wedding dress

French lace and silk organza wedding dress with ribbon sash

I created a bespoke chanitlly lace wedding dress for lovely Harriet. We started the design with a boned bodice. The sweetheart neckline was covered with the delicate French Chantilly lace. The lace layer has a boat neckline and elbow length sleeves. The a-line skirt is layered satin and silk organza with a small train and slate grey silk-satin sash. The back closed with a concealed zip and feature cover buttons.

Photography by www.barryholder.co.uk

Harriet’s ensemble was finished with a short two-tier veil trimmed with the pretty scalloped lace edging to match her bodice.

custom wedding gown with slate grey ribbon sash
Wedding Dress by Felicity Westmacott: French lace and silk organza with ribbon sash, original design sketch

Original design sketch of the Chantilly lace wedding dress

Harriet’s chantilly lace wedding dress fastened with a concealed zip at the back but inside a hidden lace up corset created shape and provided support.

bespoke chantilly lace wedding dress with bouquet and veil
bespoke wedding dress with chantilly lace bodice

Harriet’s sash was made using the matt side of the satin outwards, and covered with the bodice lace on the waistline part. The bow at the back was pre-tied so it would sit perfectly. I sewed the back of the dress to fasten with a concealed zip. Silk covered buttons were sewn on to finish the look.

bride and groom embrace bespoke wedding gown lace tipped short veil

I made sure the back of Harriet’s dress came with a bustle-up for the train. The back could be hooked out of the way for dancing or walking outside.

Making Harriet’s Chantilly lace wedding Dress

toile of lace bodice boned with sweetheart neckline with pins

A picture from the ‘toile’ or practice run fitting. I made the toile from cheap fabrics to check fit and style before cutting into silks and expensive lace.

Harriet in the finished dress at her final fitting. The picture on the right shows the train hooked up as if for dancing.

Harriet in the finished dress at her final fitting. Wearing the matching veil as well and a detail of the back fastening with concealed zip, cover buttons and sash.

something blue wrist loop with lace sleeve detail

I added a wrist loop to the chantilly lace wedding dress so the train can be picked up and carried away from the dust when that is helpful. I sewed a hidden ‘something blue’ next to the wrist loop, to peek out when the train is lifted up.

To see more dresses with lace as a feature see this blog post

To see another dress using the same chantilly lace head over to Janna’s wedding dress post

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Felicity Westmacott

I write about all aspects of weddings, dressmaking, fashion history, and the human relation to clothing. I welcome comments and debate.

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As a seamstress there are certain things that give me the ick. Usually they're pretty specific and unless you're also a dressmaker it might be something you're completely unaware of.

I've always had a ‘thing’ about language generally. I find it really interesting. I've noticed how strong a reaction I can have to people using language differently to what I’m used to. And when I notice that I often go on a bit of a deep dive to understand where that difference stems from. I think coming from a historical costuming background also means I love to know the history of things (and despite my instinctive language-conservative leanings, I do actively work on being accepting and open minded, trying celebrate the differences).

That said, please don’t say your dress has a trail!

Snails have trails - dresses have trains! 🐌
I found this sheet music in my house, and I was so surprised by what it was 🎹🎵

There’s a music stand in my childhood home, and when I was having a look, I found this: “Three Songs composed by Ethel M. Lightfoot”. And my curiosity was peaked. So I sat down at the piano.

When it comes to reading music, I can play piano and sing a little. Nothing outstanding but enough that I could put the music in front of me and have a go at playing it. And I was surprised to discover that I found it was really easy to sightread and sing. Ethel liked the same key signatures, melodies and intervals as me. The things I wrote in my teens (usually quite a bit more angsty) were really similar in terms of structure. Her themes were different, of course, like “Cradle Song”, where a mother sings to her child about their father being away at war.

Ethel, as it turns out, is my great grandmother. Ethel was a musician, and it was so wonderful to find some of her published work, play it and somehow feel connected to her through our similarities. Somewhere in my blood is Ethel’s love for music, and it was so special to find her sheet music flowing so easily from my fingertips.

I love learning about history generally, but there’s something extra special about learning about your own personal history 💜

Is there something from your family history that you’re particularly proud of?
With leaves starting to change to colour, my thoughts have turned to autumn. So I'm sharing my process for this autumn inspired dip dye wedding outfit;
🍁 deciding I wanted to layer a dip dye overskirt on top of the bridal playsuit
🍁choosing lots of warm, rich colours that make me think of autumn leaves carpeting a forest floor
🍁 cutting the tulle of the skirt to the right length 
🍁 gradually blending each layer of colour, using an ombre of yellow, orange, brown and just a little bit of gold at the end
…and then the finished product!

Doesn't this bridal outfit look right at some in the woods?

If you love the idea of an overskirt for your wedding dress, drop me a DM and let’s talk colour palettes!

~
Photographer: @charlymaephotography
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in
from design to completionbespoke wedding dressesFelicity Westmacott
Dorking, RH4 1RT241 High Street• Visit the Studio •
Dorking, RH4 1RT241 High Street• Visit the Studio •
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in