Marie Antoinette Wedding Dress Photoshoot

Marie Antoinette Wedding Dress Photoshoot Kirsten Dunst red head bride soft pastel Versailles

For this Marie Antoinette wedding dress photoshoot, we took inspiration from the aesthetic of Bridgeton. I think we ended up with something slightly different, but equally wonderful, don’t you think?

Our colour scheme was pastels; blush, pinks, coral, creamy ivory and hints of baby blue and gold. We wanted to evoke something romantic and ethereal – as though our bride had just woken up from a fairytale-like dream, hazy but beautiful. We also wanted a historical feeling, taking inspiration from the opulent Rococo and Regency eras, and modern interpretations of period costume from films like Atonement, Marie Antoinette (with Kirsten Dunst) as well as shows like Downton Abbey and The Great (with Elle Fanning).

I made three dresses for this dreamy, pastel wedding shoot. Read on to see the gorgeous photos of all three dresses, as well as the brilliant suppliers who made it all happen.

Dress 1 – Sugar Rose Wedding Dress

Blush Pink Layered Princess Dress

The first dress is this princess style wedding dress, full of light, puffy layers and a lace up back. There is something so lovely and feminine about it, with its soft shades of pink and sweet, off shoulder sleeves. But it’s also surprisingly practical, since the hem dips at the back, but rises at the front, making gliding down the aisle effortless.

This dress has quite a few different historical eras from which it takes inspiration. I combined an 18th century flat fronted bodice, 1950s pencil skirt and a modern tulle overskirt all in the same design.

This is for the bride who is a bit of a fairy tale princess at heart – sweet, fun and unashamedly loves pink! She lives in a beautiful castle, and you wouldn’t be surprised to catch her talking to the bees in the garden.

Dress 2 – Aurora Wedding Dress

Dramatic Dark Pink Dip Dye Wedding Dress

For the second dress for this Marie Antoinette wedding dress photoshoot, I had to include one of my signature dip dye looks. The dress is made in layers of soft tulle in pale ivory and blush. For this dip dye, I coloured the hem in an ombre effect using deep burgundy, crimson and red. I covered the whole bodice with gathered tulle and floral lace applique in soft metallic silver and gold. It took me a while to finish all the beading, that decorates the bodice and sleeves and creeps up the illusion tulle, but it was so worth it. And I absolutely love these big, dramatic balloon sleeves.

This dress is more mature than the previous one. This is for the bride who is stepping into her power, who looks pretty but can hold her own. She’s not afraid to take up space, and she has a little flair for the dramatic.

(Can we also talk about how amazing it was to have horses on the shoot! That carriage is to die for!)

Dress 3 – Autumn Beaded Wedding Dress and Jumpsuit

Taupe Satin Jumpsuit with Sheer Sequin Dress

The last dress feels like the final progression of our regal bride. From sweet, sugary princess to elegant and dignified queen. In one hand practical, but also someone for whom the whole room will stand.

I went for a simple silhouette, letting this sheer floral fabric speak for itself. This is how you do sequins in a more refined way. When the material is such a statement, there’s no need to try and compete with it. My job as a designer is to make sure that all the elements work in harmony, so I created a simple satin jumpsuit to go underneath (with some little strap details), as well as some separate, removable sleeves and that was enough.

Looking For More Inspiration…

Has this Marie Antoinette wedding dress photoshoot left you feeling inspired? Here is another fairy tale inspired pastel wedding dress photoshoot. Or, if you’re a fan of Jim Henson’s Labyrinth, then there’s a chance you’ll love this dreamy photoshoot based on the masquerade sequence. You can also find the dip dye Aurora dress, ready to ship, here.

And if you’re interested in reading more about the photoshoot in general, it was featured on the Bouquets and Bells blog.

I’m available for bespoke dress consultations and bookings, so get in touch if you want to feel like royalty on your wedding day.

Suppliers

Organisers & Concept: Bouquet and Bells & Tanya Flannagan Photography
Photography: Tanya Flannagan Photography
Videography: Elizabeth & Josh Films
Venue: Hawkstone Hall
Magazine: Bouquet and Bells Magazine
Bespoke Gowns: Felicity Westmacott
Suits: Bill Child Formal Wear
Veil: Star and Leaf Veil
Brides Shoes: Becci Boos Shoes
Crown: Six Penny Bride
Rings & Earrings: London Victorian Ring Co
Flowers: Ginger Lily Florist
Styling: Wild Meadow Weddings
Cake: Elizabeth Anna Cake Design
Stationery: White Orchid Print and Design
Makeup: Made Up by Cathryn
Hair: Bella Amore Hair Salon
Horse & Carriage: Mike-Huddart Heavy Horses
Celebrant: Celebrant Jen Walker
Table Linen: Coloured Linen Hire
Models: Francesca Fleur and Blaise Gapp

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Felicity Westmacott

I write about all aspects of weddings, dressmaking, fashion history, and the human relation to clothing. I welcome comments and debate.

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The days are counting down 'til the deadline for the Wedding Industry Awards (@twia_official), and I wanted to thank anyone who has already voted for me. ⁠
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There is something so special about people going above and beyond what they need to do, and it's always lovely to feel appreciated and seen.⁠ So, if you have already voted, comment down below so that I can thank you!⁠ 💜⁠
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And if you haven't, and you would like to, then you can find the link in my bio. Remember, you can only vote for me if you've used my services between Oct 1st 2024 up until now (all that way until Sept 29th 2025).⁠
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Photo by @altweddingco⁠
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#weddingdressmaker #weddingsupplier #bridalboutique
I'm a bespoke wedding dress maker, of course I made my own wedding dress!

When I first designed it, I wanted something that was completely 'me'; colourful, historical and a little dramatic. I had ambitions of covering the train with embroidered stems and flowers. At the same time, I had three other wedding commissions I was working on, as well as my own bridesmaids' dresses, some waistcoats for the best men and page boys. Although I managed to get it to a point where I could wear it, I didn't quite achieve what I wanted to by the time my wedding day came around.

I got married in 2007, and it wasn't until lockdown in 2021 that I managed to finish what I had started. I finally completed all the intricate embroidered details I wanted. The fuchsias, the vines and little bees and butterflies. It was so satisfying to see my visioned, fully realised, at last!

Since then I've been luckily enough to have lots of embroidery-centred commissions, and now I've learnt how to manage my time far more efficiently 😂

#2026bride #bespokebridal #bridalboutique #embroidery #ukbride #alternativebride
These are my ladies 💖 working in a bridal boutique can sometimes take you to strange places...

Can you tell I don't like Teresa?😒

#thesearemyladies #dorking #bridetobe #shoplocal #bridalshop #seamstress #weddingdressmaker
With wedding dress alterations, usually it's about making the dress the right fit for the bride. Bringing up the hem, adding in cups for support, making the bodice smaller or bigger. That sort of thing.

But sometimes, when I'm very lucky, I get to play!

Inspiration: a wild meadow of flowers by the sea
What do you think of the end result?

Photography: @sbyrnephoto

#weddingdress #weddingdressalteration #ukbride #ukseamstress #surreybride #sussexbride #londonbride #bespokeweddingdress
Here’s my handy guide to bridal veil lengths! When it comes to your wedding, a veil is such a lovely accessory to have – it can really elevate a bridal look. Some veil lengths have different names for the same thing, so let's clarify the different lengths can be called: 

Shoulder - 16" 
This one is two tiers, bubble style, in vintage tulle. Cute and fun, it has a retro vibe to it. 

Elbow length - 28" 
I chose a 3-tier style, giving this veil a bit more volume. Again, made in vintage tulle with a cut edge.

Fingertip length - 36" 
I’ve notice this length is one of the most popular for brides, so I’m showing a few versions. The first is a single tier with a corded edge, and the second has a lace edge instead. (dipdye, cut edge, with blusher ) 

Waltz (or calf) length – 58”
I made this wedding veil from vintage tulle with a diamante sparkle. This is a good choice is you want something long, but you’re a little clumsy. 

Floor (or puddle) length - 72" 
For this video I went with a floor length veil with a blusher (2-tier) and a cut edge. This one is extra wide as well, for extra drama.

Chapel length - 90" 
This one is in a cowl (or draped) style, meaning it’s placed on the head in a different way to a usual veil. I made this one from a super soft English tulle, which floats so beautifully.

Cathedral - 115" 
If you’re looking for maximum drama, then this is the length for you. This is the length used in the weddings of royalty. With a metallic corded edge, I also made this one extra wide, because if you’re going to go big, you might as well go all the way.

Which is your favourite length of wedding veil? Do you plan on having one for your wedding?

#2025bride #2026bride #bespokebridal #bridalboutique #weddingveil
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in
from design to completionbespoke wedding dressesFelicity Westmacott
Dorking, RH4 1RT241 High Street• Visit the Studio •
Dorking, RH4 1RT241 High Street• Visit the Studio •
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in