Classic beaded lace bespoke wedding dress

bride arriving at ceremony fit and flare skirt

I made Sarah-Louise’s classic beaded lace bespoke wedding dress in ruched silk georgette with a gentle fishtail flare. The lace over-bodice had scalloped edging and a button back.

Official photographs by Sebastian Lomas

The classic beaded lace bespoke wedding dress was made in two parts. I made a strapless underdress in ivory silk Georgette (a type of matt finish chiffon) and a removable beaded lace over-bodice. The main dress had a firm, boned bodice with a sweetheart neckline and concealed zip back fastening. Te underlayers made of duchess satin. Over the top I used silk georgette, ruched on the bodice and cascading into the flare of the skirt.

The lace over bodice had a higher neckline than the main dress. I added a wide scalloped edging, also used on the short, t-shirt type sleeves. The bottom edge of the lace finished just below Sarah-Louise’s natural waistline. And I used another, narrower but matching, scalloped lace edging to finish it. It fastened at the centre back with feature buttons and loops.

scalloped edge lace beaded bolero over bodice
church wedding train with hook up wrist loop

The thistle brooch Sarah-Louise wore had family significance, such a lovely special touch!

strapless sweetherat wedding dress ivory silk georgette
traditional custom made wedding dress fishtail skirt
 bride arriving chiffon wedding dress
short sleeve wedding dress with beaded lace and train
classic bespoke wedding dress train
traditional wedding dress made to measure

I always provide a wrist loop to make carrying the train outside easy, and pretty too!

 

Original design sketch by Felicity Westmacott simple wedding dress

Original Design Sketch

thank you letter testimonial

Thank you letter

Sarah-Louise wrote: Thank you so much for designing and making me such a beautiful dress that will be shared with generations to come. I am so pleased with the final outcome. I felt like such a beautiful bride and I would have been lost without such an eye catching dress. Thank you so much for all your time and effort spent. Words cannot express how much it means to me.
Lots of love from Sarah-Louise.

cutting the cake fine ruching on bodice and hip
dress hanging in window simple
dressing the bride lace over bodice
carefree bride ivory silk wedding dress

Bride with her dressmaker

I was lucky enough to be invited to this wedding. Here I am with my then 10 month old baby girl, Rosalind. I made the dress I am wearing too, in bright printed cotton with fuchsia pink chiffon overlay. It’s made as a breast feeding dress with the front sections unclipping from the straps to reveal a modest inner bodice with feeding access.

dancing swirling skirt chiffon ruched wedding dress


One lovely things about the georgette we used as Sarah-Louise’s main fabric was it’s lightness and flow. So the dress looked as lovely in motion or still.

Making Sarah-Louise’s classic beaded lace bespoke wedding dress

toile practice run fitting picture

Pictures from the ‘toile’ fitting or practice run of the classic beaded lace bespoke wedding dress

ruching the georgette fabric on the stand

Creating the ruching for the front panels, lots and lots of pins on the stand!

fitting picture in partly made dress ivory silk chiffon

fitting pictures in the partly made dress

beaded lace over bodice and train back fitting picture
waterhouse22 finished dress in final fitting custom

Final fitting pictures of the bespoke wedding dress

hidden something blue strapless wedding dress

A hidden something blue on the wrist loop of the train.

To see another modern classic wedding dress you could head over to my portfolio entires for Gerry’s silk dupion wedding dress. And Charlie’s classic silk crepe and lace wedding dress

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felicity westmacott wearing a hat

Felicity Westmacott

I write about all aspects of weddings, dressmaking, fashion history, and the human relation to clothing. I welcome comments and debate.

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As a bespoke bridal designer, it's my job to make sure your dress looks like it's part of you. 

For this bride, I designed a dramatic satin dress, with a statement bow and asymmetrical ruching across the front and back of the bodice. A more traditional bodice that might have a lace up back, or simple a concealed zip down the middle, but for this dress I didn't want to break up the flow of the fabric going across the body, so I had to come up with an elegant (and easy to use) solution. Not only did the fastening need to impossible to spot, it also needed to provide support for the bride, so she felt secure in the dress throughout the day.

I created two panels of ruched silk dupion in this beautiful rose gold colour. The panels were secured at the side, not the back, with the top panel being firmly attached with poppers. The panel underneath had hooks and underneath that I made a built in corset behind a heavy-duty zip. Because of the weight of the dress, and how fitted it was, the zip had to work harder than usual, so it was actually very useful to be able to fully hid it. It meant the bride could be fully supported, without the zip interfering with the design.

All that work meant that this bride didn't have to worry about hitching up her dress or any wardrobe malfunctions, she could just focus marrying her husband and having a gorgeous day with friends and family.

What detail in your wedding dress are you most excited to obsess over?

#bespokeweddingdress #rosegoldweddingdress #bridalboutique #smallbusiness
My goal this year is to use up as much of my existing fabric stash as I can. Having been a seamstress for several decades now, I have amassed a huge pile of fabric over the years. That, and I just can’t throw anything away. As a result, I have an island’s worth of gorgeous, unusual and tragically under-utilised material, begging to be used for its purpose – creating unique and beautiful wedding dresses.

So, when Amy approached me about creating some looks for a steampunk Alice in Wonderland themed wedding shoot, it felt like the perfect opportunity to dip into my stash. 

As a result, everything was made from fabrics in stock – nothing was bought new. In fact, some of the scraps of lace are from my mum’s stash, so parts of this dress are from the 50s and 60s. I trimmed the gown with scraps of vintage and antique lace, sequins and tulle, as well as torn blue silk for the very Alice bows. They had a long while waiting to be used, but finally these frabrics have their home.

Content creation and creative lead: @reeldealsocial 
Lead photographer: @nicolaashleaphotography
Celebrant: @stardustceremonies
Styling and flowers: @foxgloveandblack
Photographer 2: @candiceharrisphotography
Model 1: @rosy053
Model 2: @s.frosties
HMUA: @house_of_belles
Tea set: @teacupswishes
Dress/suit: @felicitywestmacott
Cake: @thecakelabuk
Shoes: @houseofelliotlaceboots
Drinks: @bittersweetbartenders
Stationer: @calistaandbelle
Venue: @wortonhall
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in
from design to completionbespoke wedding dressesFelicity Westmacott
Dorking, RH4 1RT241 High Street• Visit the Studio •
Dorking, RH4 1RT241 High Street• Visit the Studio •
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in