Long sleeve lace wedding dress and veil

Bespoke ivory lace wedding dress by Felicity Westmacott


Whether for a small an intimate elopement or a traditional country wedding with a marquee and hundreds of guests, a traditional long sleeve lace wedding dress ticks all the boxes.

Issie’s dress was made with a boned satin bodice with pretty lace overlay. Long sleeves and a boat neckline were trimmed with a pretty scalloped edging. A simple silk dupion sash highlighted her tiny waist and the back fastened with buttons and loops. The full skirt was three layers of silk organza over linings and netting flowing out behind in a wide train.

I also made Issie’s very two tier long veil. The train part was trimmed in matching lace edging to her dress and the blusher (comes over the face) was edged with simple cording.

Official photographs by Monty Steedman Photography

Classic corded lace bodice and silk skirt wedding dress

original design sketch by Felicity Westmacott
Original design skirt for Issie’s dress
Traditional military wedding dress with full skirt and veil

Military Wedding

Issie’s traditional long sleeve lace wedding dress was a perfect foil for her groom’s military uniform. Other dress styles could work too. I have made a very modern and understated dress for a military wedding before. Mixing up traditions and new ideas can work really well in all aspects of wedding planning.

Ball dress style wedding gown custom made to order

corded lace sleeve detail on custom wedding gown

Bespoke wedding veil and dress for English wedding lace and silk

Making Issie’s Traditional Long Sleeve Lace Wedding Dress

Pictures from the fittings showing her dress at various stage of the making process. Every bespoke dress I make starts with a ‘toile’ or practice run in cheaper materials. We can check the fit and style are just right before working with more costly fabrics. Then a series of fittings enables me to check everything is progressing at it should as the dress comes together.

I also made a long, two tier veil for Issie to match her wedding dress. It had a ‘blusher’ which is the extra layer that can be worn over your face when entering your ceremony space. I hand sewed lace edging to the long train of Issie’s veil and edged the blusher with matching narrow soutache cord.

final fitting picture of bespoke wedding dress and veil

Sweetheart boned bodice and lace wedding dress

Fitting picture hand made wedding dress

Fitting picture of custom wedding dress and veil

bespoke corded lace bodice and corded edge veil made to order

To see another wedding dress with a lace bodice and sleeves see Sofia’s dress on my blog

If you’d like to speak to me about your ideas for a bespoke commission, be that a traditional long sleeve lace wedding dress or another idea just head over to my contact page to get in touch.

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Felicity Westmacott

I write about all aspects of weddings, dressmaking, fashion history, and the human relation to clothing. I welcome comments and debate.

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As a seamstress there are certain things that give me the ick. Usually they're pretty specific and unless you're also a dressmaker it might be something you're completely unaware of.

I've always had a ‘thing’ about language generally. I find it really interesting. I've noticed how strong a reaction I can have to people using language differently to what I’m used to. And when I notice that I often go on a bit of a deep dive to understand where that difference stems from. I think coming from a historical costuming background also means I love to know the history of things (and despite my instinctive language-conservative leanings, I do actively work on being accepting and open minded, trying celebrate the differences).

That said, please don’t say your dress has a trail!

Snails have trails - dresses have trains! 🐌
I found this sheet music in my house, and I was so surprised by what it was 🎹🎵

There’s a music stand in my childhood home, and when I was having a look, I found this: “Three Songs composed by Ethel M. Lightfoot”. And my curiosity was peaked. So I sat down at the piano.

When it comes to reading music, I can play piano and sing a little. Nothing outstanding but enough that I could put the music in front of me and have a go at playing it. And I was surprised to discover that I found it was really easy to sightread and sing. Ethel liked the same key signatures, melodies and intervals as me. The things I wrote in my teens (usually quite a bit more angsty) were really similar in terms of structure. Her themes were different, of course, like “Cradle Song”, where a mother sings to her child about their father being away at war.

Ethel, as it turns out, is my great grandmother. Ethel was a musician, and it was so wonderful to find some of her published work, play it and somehow feel connected to her through our similarities. Somewhere in my blood is Ethel’s love for music, and it was so special to find her sheet music flowing so easily from my fingertips.

I love learning about history generally, but there’s something extra special about learning about your own personal history 💜

Is there something from your family history that you’re particularly proud of?
With leaves starting to change to colour, my thoughts have turned to autumn. So I'm sharing my process for this autumn inspired dip dye wedding outfit;
🍁 deciding I wanted to layer a dip dye overskirt on top of the bridal playsuit
🍁choosing lots of warm, rich colours that make me think of autumn leaves carpeting a forest floor
🍁 cutting the tulle of the skirt to the right length 
🍁 gradually blending each layer of colour, using an ombre of yellow, orange, brown and just a little bit of gold at the end
…and then the finished product!

Doesn't this bridal outfit look right at some in the woods?

If you love the idea of an overskirt for your wedding dress, drop me a DM and let’s talk colour palettes!

~
Photographer: @charlymaephotography
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in
from design to completionbespoke wedding dressesFelicity Westmacott
Dorking, RH4 1RT241 High Street• Visit the Studio •
Dorking, RH4 1RT241 High Street• Visit the Studio •
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in