Victorian Wedding Dress in Pale Blue Silk for Eleanor

bespoke pale blue victorian wedding dress with divided skirt in front of church porch

Eleanor commissioned a beautiful Victorian wedding dress in palest blue embroidered silk dupion. I designed Eleanor’s dress using a mixture of historical sources as inspiration. Tudor, 18th century and Victorian corsetry came together to create a dress that flattered her petite but curvy figure.

I made Eleanor’s dress with a fitted and boned bodice and a wide off the shoulder neckline. I sewed the skirt to the bodice in hundreds of cartridge pleats (see below for detail pics). Eleanor wore the dress over a hoop to make the skirt a full bell shape. We designed it with a divided front which reveals the plain silk of the underskirt, edged with a wide box-pleated frill.

victorian wedding dress for plus size bride in church path

The wide off the shoulder neckline showed Eleanor’s beautiful shoulders to best advantage. And dipped towards her bust enough to be flattering but not too revealing. I made sure the full skirt further emphasised her tiny waist. A proper period corset (stays) nipped in Eleanor’s waist which gave her the shape she wanted for the Victorian wedding dress style.

bustle back victorian wedding dress on church path
I also made the groom’s coat, waistcoat and cravat.
victorian wedding dress design by Felicity Westmacott
Original design sketch
bum roll period inspired wedding dress
Eleanor wore an antique lace stole with her dress, purchased from a online specialist.
period wedding dress with bum roll back view with train
The back of the skirt swept out into a full length train.
polonaise bustle skirt silk wedding dress hitched up for dancing
The train could be bustled up for dancing in a method that is visually reminiscent of a dress style called ‘Polonaise’ from the late 18th century.

Dressmaker’s holiday

off the shoulder pale blue victorian wedding dress
stitching magic hands of the wedding dress alchemist

When I asked Eleanor how she would like the back of her dress to close, the usual options being zip, lace up or buttons, she really didn’t want any of them. I knew I’d be there on the wedding day, so we decided to sew Eleanor into the bodice for a perfect, seamless finish. This is not an easy job to do, but it meant there was nothing to spoil the line of the bodice at the back. At the end of the day we gave the poor groom a quick-unpick and instructions on how to get his new wife out of her dress on the wedding night!

pleated frill victorian wedding dress on church path
Eleanor’s dress was supported by a hoopskirt (crinoline) which is peeking out here as she carefully traverses the church path.
bespoke wedding dress with divided skirt and her bridesmaids
Eleanor with her bevy of beautiful bridesmaids, each wearing a custom bridesmaids dress in shades of pink and gold.

Skirts with an open front, like this, were very fashionable in the 18th century. Rococo design also inspired the wide, box pleated frill on her petticoat. Victorian wedding dresses were often influenced by fashion from earlier eras just as we are today.

bespoke bride and bridesmaids period inspired
Eleanor also had her baby bridesmaid and pageboy’s dress and waistcoat made to order by me
church wedding with period inspired design for bride and groom
Eleanor and her groom met through the rowing club at university her their rowing team made an honours arch from the oars!
pale blue victorian wedding dress bride and groom
The Groom’s beautiful long hair was tied back with a black ribbon, as was fashionable for gentlemen in the 18th century

Official Wedding pictures by Sebastian Lomas

Underpinnings for a Victorian Wedding Dress

To create its distinctive shape I supported Eleanor’s dress with lots of period underpinnings. These comprised a properly boned corset (stays) and a hoop skirt (crinoline). The ‘bum roll’ is the large pad you can see on the right above. The net bustle supported the skirt shape and he train. There were also many layers of netting integral to the main dress.

corset stays fitting for bespoke wedding dress
Fitting pictures with the victorian corset (stays)

Making Eleanor’s Victorian Wedding Dress

These fitting pictures show the skirt partly made with only half pleated on to the bodice. We used a technique called ‘cartridge pleating’ which was popular in Tudor fashion.

Dying the embroidered silk

embroidered silk dupion for custom wedding dress with roses and chrysanthemum
Before being dyed the embroidered silk dupion was a plain ivory colour (above).

I hand dyed Eleanor’s fabric to order as we just couldn’t find what she wanted in the right colour.

custom dye pale blue wedding dress silk in the dye bath
The silk in the the dye bath being changed to pale blue.

Historical Inspiration and Designs

Eleanor’s dress was not an historically accurate representation of any particular period in history. But we intended it to look ‘historical’ in the sense that it did not conform to the common bridal trends of 2010. It had many design elements that obviously referenced other periods.

Details from history

I pleated the skirt into the bodice in ‘cartridge pleats’ from the sides round to the back. This is an Elizabethan technique, although cartridge pleating can be found used in other fashion periods too. Fashions of the past have been inspiring people’s design choices all throughout history, not just in modern times. Real Victorian women often wore dresses inspired by Elizabethan and 18th century design. From the sides round to the front I pleated the skirt in softer, large pleats. Just like the skirt on the left in the picture below.

polonaise and bustle skirt shape inspiration

The skirt hooked up for dancing in a ‘polonaise stye’ because this was a fashionable style in the 18th century (above centre and below right).

These real period garments show elements that were inspiration for Eleanor’s Victorian wedding dress.

Wedding Dress by Felicity Westmacott: Historical victorian inspired in pale blue silk with corset, pleats and embroidery: design inspiration

We took inspiration from Elizabethan, 18th century and Victorian fashions. I loved creating a period combination for a unique dress that flattered Eleanor’s figure and style perfectly. The basic corset and wide neckline are early Victorian shapes (1830’s). We decided to cut the bodice with panels that taper from shoulder to pointed front waist. The longer bodice line (the seam is just below Eleanor’s waistline, not on it) comes from a later Victorian period. The Victorian design image (right above) was our inspiration.

Bespoke Design Development for an Historical Wedding Dress

victorian wedding dress design by Felicity Westmacott
Final Design: after the consultation I provide a neat, clear design sketch for approval with all the elements the bride liked best.

If you’d like to start the journey of making your own period inspired wedding dress book a consultation today!

Add a comment...

Your email is never published or shared. Required fields are marked *

Felicity Westmacott

I write about all aspects of weddings, dressmaking, fashion history, and the human relation to clothing. I welcome comments and debate.

Recent Portfolio entries

Read More
follow me on instagram@felicitywestmacott

I'm a regional finalist for the Wedding Industry Awards! ⁠
⁠
Not only that, but in both my categories; Best Designer/Independent Dressmaker and Best Seamstress/Tailor. So thank you to everyone who voted for me. Your time and effort is not only appreciated, but has also paid off 💜⁠
⁠
And well done to my fellow regional finalists; @alexandersharpebridal, @harrietchristelow, @shell_stitches_kent, @stitchesbykristine, @nicolaleverington.⁠
⁠
There are a few finalists outside of my categories that I wanted to give an especially loud shout out to - well done @alexjaggermua and @lushcurvebridal!⁠

Thank you to the organisers and Damien at @twia_official
⁠
Wishing everyone the best of luck! 🪡✨️⁠

Photo by @altweddingco
This is what a bespoke veil with almost 400 flowers looks like.

On top of some other alterations, @katiepigden wanted a chic, modern bridal veil. We chose a length a little longer than her dress and I got to work.
Her wedding dress already had these beautifully delicate 3D flowers on the bodice, so we echoed this design element in the veil. I hand embellished almost 400 satin flowers, selectively scattered at the hem of the veil and gently creeping up. I wanted it to look as though Katie had been standing underneath a blossoming tree and some had happened to fall onto her veil.

A veil is such a perfect way of finishing off a bridal look, and I think Katie looks stunning. If you're looking for something completely custom for your wedding day, then get in touch 💜
Spooky season has arrived!

I love Halloween, but maybe not for the reasons you might think. For me, Halloween gives people permission to be a little more wild, a little more 'out there' with their bridal choices. And as a seamstress who loves to makes bold and beautiful wedding dresses, there's nothing wrong with a little more wild!

Take these three wedding photoshoots, for example. The first one was inspired by Morticia Addams. It's a black wedding dress! You can't get less traditional than that. And it's now one of my most popular designs. Although all these dress designs are based around a fictional character, they're still the furthest thing from a costume. They're pieces of haute couture art, taking the essence of the character and then elevating it to something truly unique.

The second dress used the designs from the live action Cruella, and I love how the model nailed her character. The final dress used Jim Henson's Labyrinth as a starting point, in particular that iconic ballroom scene (*swoon*). They were all such fun projects. So if you're looking for a wedding dress maker to embrace your wild side, I might be the perfect choice.

If you could base your wedding dress on a fictional character, who would it be?

~
Photography - @lexflemingphoto⁠
Sometimes it can be difficult to be true to yourself. The world can feel really judgemental (even if it's just the voices in the back of your head saying it). But, you might be worried about being 'too much' or worried of what people might think if they saw how vibrant and colourful you really are on the inside. How big and sparkly your thoughts and feelings are!

Well, guess what? There's no such thing as 'too much'. Not in my books! As a wedding dress maker (and honestly, a fellow big, sparkly person) I'm here to encourage you to listen to what your heart is telling you. Ignore those voices telling you should be anything less than 100% yourself, especially on your wedding day.

There is nothing that makes me happier than a bride bringing me their ideas - the crazy ones they've barely voiced to anyone else. The ones they shyly mention, usually followed by "but if that's not possible, then don't worry about it". And there's nothing more exciting than seeing the face of that bride when they realise that I am absolutely on this journey with them, that we will make it happen and that I cannot wait to get started!

Anyway, I love my job 😉

#weddingdress #fantasyweddingdress #fantasybride #historicalweddingdress #dramaticweddingdress #bespokeweddingdress
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in
from design to completionbespoke wedding dressesFelicity Westmacott
Dorking, RH4 1RT241 High Street• Visit the Studio •
Dorking, RH4 1RT241 High Street• Visit the Studio •
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in