Category Archives: Groom, attendants and page boys

Bespoke Silk Ties and hankies for Alice’s Groom

Silver Silk Ties and hankies made to order

Alice commissioned bespoke silver silk ties and matching hankies for her groom, his best man and ushers. I made the ties in a modern style, from the same silver silk satin as the bridesmaids sashes. Handkerchiefs to match completed the ensemble. Making Bespoke Ties Ties are made ‘cut on the bias’ which means they are...

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Burnt orange bridesmaid dress for Amanda in silk dupion

tea length tulle petticoat 1950's bridesmaid dress orange silk

Modelled by Jenny, Zoe, Anna and Charlie Amanda commissioned a custom orange bridesmaid dress for each of her four bridesmaids and five cravats for the groomsmen. The princess line dresses had strapless sweet-heart necklines with a ‘ballet’ style gathered piece at centre front. I made Each orange bridesmaid dress from a copper coloured silk-dupion with...

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Teal flamenco inspired wedding dress

teal wedding dress bespoke for mature bride

I made in Liz’s dress flamenco inspired wedding dress in teal blue shot silk. It has a boned bodice with ruching to the hip and a wide off the shoulder neckline. The skirt falls in graduated tiers of waterfall frills. Hand applique of teal lace adds sparkle and texture to the neckline and skirt. Liz...

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Art Deco wedding dress

lifting the hem pale gold wedding bespoke dress

A contemporary fusion of 1930’s and Victorian fantasy elements went into the design of Katherine’s wedding dress. Official photography by Debs Ivelja I made Katherine’s art deco wedding dress out of buttermilk coloured silk satin and ivory lace with subtle gold thread running through it. The bustle was made of silk chiffon in five subtle...

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Orange silk and lace vintage 1950’s wedding dress + groom’s ties for Rebecca

candler 4 autumn fall wedding ornage silk dupion short full skirt dress petticoat

A beautiful 1950’s style orange wedding dress with delicate cream lace over Autumnal golden-orange silk. Photography by Gregg Brown www.greggbrownweddings.com  Rebecca’s dress has a fitted and boned bodice with a face framing collar and v-neckline. Long lace sleeves are finished with scalloped edging. The skirt is a tea length full circle over many layers of...

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Custom bowties and cummerbund

father of the bride groom bow tie custom silk dressmaker sea colours

Old gold and blue silk I made custom bowties and a cummerbund for the groomsmen. Irene had her Mother of the bride dress and coat made by me. Then she commissioned accessories made in matching fabrics for her husband and various members of the bridal party I made the bow-ties in different fabrics for each...

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Posts from Felicity Westmacott

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As a seamstress there are certain things that give me the ick. Usually they're pretty specific and unless you're also a dressmaker it might be something you're completely unaware of.

I've always had a ‘thing’ about language generally. I find it really interesting. I've noticed how strong a reaction I can have to people using language differently to what I’m used to. And when I notice that I often go on a bit of a deep dive to understand where that difference stems from. I think coming from a historical costuming background also means I love to know the history of things (and despite my instinctive language-conservative leanings, I do actively work on being accepting and open minded, trying celebrate the differences).

That said, please don’t say your dress has a trail!

Snails have trails - dresses have trains! 🐌
I found this sheet music in my house, and I was so surprised by what it was 🎹🎵

There’s a music stand in my childhood home, and when I was having a look, I found this: “Three Songs composed by Ethel M. Lightfoot”. And my curiosity was peaked. So I sat down at the piano.

When it comes to reading music, I can play piano and sing a little. Nothing outstanding but enough that I could put the music in front of me and have a go at playing it. And I was surprised to discover that I found it was really easy to sightread and sing. Ethel liked the same key signatures, melodies and intervals as me. The things I wrote in my teens (usually quite a bit more angsty) were really similar in terms of structure. Her themes were different, of course, like “Cradle Song”, where a mother sings to her child about their father being away at war.

Ethel, as it turns out, is my great grandmother. Ethel was a musician, and it was so wonderful to find some of her published work, play it and somehow feel connected to her through our similarities. Somewhere in my blood is Ethel’s love for music, and it was so special to find her sheet music flowing so easily from my fingertips.

I love learning about history generally, but there’s something extra special about learning about your own personal history 💜

Is there something from your family history that you’re particularly proud of?
With leaves starting to change to colour, my thoughts have turned to autumn. So I'm sharing my process for this autumn inspired dip dye wedding outfit;
🍁 deciding I wanted to layer a dip dye overskirt on top of the bridal playsuit
🍁choosing lots of warm, rich colours that make me think of autumn leaves carpeting a forest floor
🍁 cutting the tulle of the skirt to the right length 
🍁 gradually blending each layer of colour, using an ombre of yellow, orange, brown and just a little bit of gold at the end
…and then the finished product!

Doesn't this bridal outfit look right at some in the woods?

If you love the idea of an overskirt for your wedding dress, drop me a DM and let’s talk colour palettes!

~
Photographer: @charlymaephotography
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in
from design to completionbespoke wedding dressesFelicity Westmacott
Dorking, RH4 1RT241 High Street• Visit the Studio •
Dorking, RH4 1RT241 High Street• Visit the Studio •
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in