Theatrical waterfall skirt wedding dress for Richelle

windswept wedding dress bride custom waterfall skirt

Richelle wanted a theatrical dress with interchangeable separates for her two part wedding in Scotland. I designed her a pink and silver waterfall skirt wedding dress in organza, silk and lace. Richelle found me by recommendation from a previous bride, the nicest way to know you’ve done a good job!

Official photography by linaandtom

A theatrical wedding dress for a dramatic bride

Richelle had an epic, three part wedding. So when I met her I knew I needed to design a dress for three venues, each with very different vibes. The ceremony took place in Edinburgh castle with a traditional religious service with a reception afterwards at The Museum of Scotland. And a few weeks later Richelle and her new husband held another party for London friends in a theatre space.

scottish wedding groom in kilt

windswept wedding dress bride custom waterfall skirt

Each layer of Richelle’s waterfall skirt was made from a whole circle or oval of blush organza. I used more than 30 metres of horsehair braid to trim the hem edges making them flute and fall gracefully.

big skirt wedding dress alley way pale pink

bride with dinosaurs scottish groom edinburgh museum

silhouette wedding portrait space and galaxy wedding

Original design for Wedding Dress Separates

I designed Richelle’s waterfall skirt wedding dress as a four piece mix and match set of separates. The dramatic long skirt with train was made with 9 organza waterfalls each edged with horsehair braid (sometimes called crin, as in crinoline) to give them definition and stiffness. Her boned bodice had a sweetheart neckline with the silver lace over layer crossing over to subtle ruching to one side. the lace extended above the main bodice into an off the shoulder neckline with real buttons and loops to close at the back, concealing a zip beneath.

design sketch by Felicity Westmacott waterfall wedding dress

I offered Richelle three ideas for her sleeves/cover-up. The first was a simple bolero and the middle one is a waterfall cape, longer at the back than the front. But Richelle loved the idea on the right with flowing waterfall sleeves that buttons closed at the front. The sleeves hint at a medieval style but look totally modern and romantic in the blush coloured organza with horsehair braid edging. It fastened at her throat with a sweet pink Swarovski pearl for a button.

wedding cape cover up bolero designs by Felicity Westmacott

summer wedding bolero sleeves bridal separates

The last element of Richelle’s ensemble was a simple 1950’s style skirt in blush with silver net petticoat. This was perfect to wear at her party in London so she could dance the night away!

Blush pink organza and silver lace

Richelle wanted a subtle blush pink colour so we found coordinating organza and silk dupion, complimented by the beaded silver lace for her bodice.

silver metallic lace beaded sequins detail

wedding bolero shrug cover up pink

Detail of the bodice fastening with concealed zip with real buttons and loops.

button and loop fastening wedding dress

Making Richelle’s waterfall skirt wedding dress

Richelle’s dress was made over a series of fittings at my studio. It was great getting to know her during the process and comparing our love of theatre. Above are pictures from the first fitting of her ‘toile’, a practice run in cheap fabrics. I had prepped a single waterfall piece to pin on and give Richelle an idea of the size her final skirt would be. Find out more about the bespoke making process here.

sewing a button and loop fastening

Sewing on the buttons to Richelle’s bodice

lace up inside panel bespoke wedding dress

Richelle’s bodice was fully boned and had a hidden corset layer where pulling the laces would cinch in her waist and provide support to her bust.

museum of scotland wedding venue dramatic bride

Can you spot the bride and groom in the beautiful museum of Scotland?

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Felicity Westmacott

I write about all aspects of weddings, dressmaking, fashion history, and the human relation to clothing. I welcome comments and debate.

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Even though Rebecca lives in Germany, she sought me out specifically to make her bespoke wedding dress. She had seen my colour work and fantasy-inspired designs, and decided I was the perfect fit for her (pun intended!). 

She wanted a wedding dress fit for an ethereal princess, complete with this stunning pastel rainbow gradient. This kind of effect can't be achieved with dip dye. I had to use a different technique; ombre-dying. 

If you feel like you should have been born as an elven queen in a romantasy novel, then I might just be the right person to bring that dream to life ✨
Destination Vegas. Rockabilly bride. Halloween vibes. 
Sounds like the perfect wedding.

Gorgeous goth Ellie got married in Las Vegas on Halloween. She wanted something alternative, retro and a little spooky. She realised she was never going to find that with an off-the-rack wedding dress. That's where I came in.

I designed and made her white and purple wedding dress with a wonderful blend of 1950’s and 90's shapes, modern styling and subtle Halloween Vixen detail. Harkening back to when Halloween was a little more stylish - perfect for this gothic bombshell. Below the boned bodice, I ruched and layered white satin over sumptuous shot black/purple taffeta and layers and layers of white net. The white satin was spangled all over with hand sewn crystals, ready to sparkle under the Vegas lights. 

My favourite detail? The hand beaded spider web made from Swarovski crystals. Spooky but subtle.
As a seamstress there are certain things that give me the ick. Usually they're pretty specific and unless you're also a dressmaker it might be something you're completely unaware of.

I've always had a ‘thing’ about language generally. I find it really interesting. I've noticed how strong a reaction I can have to people using language differently to what I’m used to. And when I notice that I often go on a bit of a deep dive to understand where that difference stems from. I think coming from a historical costuming background also means I love to know the history of things (and despite my instinctive language-conservative leanings, I do actively work on being accepting and open minded, trying celebrate the differences).

That said, please don’t say your dress has a trail!

Snails have trails - dresses have trains! 🐌
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in
from design to completionbespoke wedding dressesFelicity Westmacott
Dorking, RH4 1RT241 High Street• Visit the Studio •
Dorking, RH4 1RT241 High Street• Visit the Studio •
emailme@felicitywestmacott.co.ukTEL 07762 543230TOUCHGet in