I made a bespoke portrait collar jacket and wedding dress trimmed with chantilly lace for Angela. The dress and jacket were both made in opulent oyster pink duchess silk satin. Photography bywww.christellephoto.com Angela wanted a little old world glamour for her wedding so we created this vintage inspired ensemble in luxurious silk duchess satin and...
Danielle needed my help as a wedding dress designer near London to create her a custom long sleeve bodice that would fit perfectly over her wedding dress. Danielle’s wedding dress was beautiful even just ‘off the peg’ but it needed a little something extra to create a bit of drama on her wedding day. Working...
Richelle wanted a theatrical dress with interchangeable separates for her two part wedding in Scotland. I designed her a pink and silver waterfall skirt wedding dress in organza, silk and lace. Richelle found me by recommendation from a previous bride, the nicest way to know you’ve done a good job! Official photography by linaandtom A...
I made a green and gold waterfall train wedding dress for my own wedding day in 2007. Having worked so much in ivory and white I decided to be bright and colourful. And anyway I don’t think white or ivory suits my very pale skin well at all! I made my dress with a boned...
Suzanne commissioned a pretty tea length brown wedding dress and bolero made up in taffeta and chiffon. I made her knee-length dress with a fitted and boned bodice. She wanted a gentle sweet-heart shaped neckline and slim straps. We chose a beautiful shot taffeta (shot pink/green/ivory) with chocolate chiffon on top and I ‘plaited’ the...
I made a set with a Navy blue silk bridesmaid dress and two flower girl boleros for Catherine’s cathedral wedding. The grand setting called for classic designs. Catherine bought her flower girl dresses off the peg and elevated them with bespoke boleros in midnight blue silk. We styled them to match the bride’s wedding coat...
Catherine got married at Guildford Cathedral in December so her silk mikado wedding coat and dress ensemble worked perfectly for the weather and spectacular venue. Official photography by taylormadeimagery I design a simple and elegant long wedding coat in ivory silk Mikado with slight lip and plunge v-neckline and criss-cross ribbon waist detail. The long...
Susan asked me to make her this stunning forest green velvet mother of the bride dress. The dramatic plunge back and colourful embellishment contrasts with the understated and simple elegance of the front. Official photographs by Feather & Birch Photography I design the dress with princess seams, knee length with boat neckline at the front....
Posts from Felicity Westmacott
All these lovely words are from my Google reviews. I received some of the most gorgeous feedback in 2025, and every one made me feel so warm inside 🥰
If we worked together last year, then I`d love to hear what you thought of the process and the outcome. You can find my Google Business page just by googling `Felicity Westmacott`.
Make a seamstress happy and a leave me a little review 💬
Photography:
Bryony - @alexandra_weddings
Marina - @liebe_rockt
Karen - @sbyrnephoto
Ashley - @copper_squirrel_photography
2026 is going to be the most whimsical year yet ✨
To be clear, this isn`t me. But I did make the dress, and I did insist on the lovely Lauren twirling in it for me. She`s a brilliant twirler, I think we can all agree 💃🏻
(This 16th century costume dress is now available sale just get in touch for details 🤫)
The cusp between the old year and the new year is always a time for reflection. For me, at least. Looking back at the things achieved, and looking forward to what else might be in store.
One of my favourite projects this year was costuming again at the Archway Theatre. The play was Nell Gwynn, which is set during the Restoration period. Some plays allow for some artistic license when it comes to historically costuming, but for this one, my aim was to be as period (and class) accurate as possible.
My original training was in costume design for theatre, and even though it isn`t a huge part of what I do now (although I often use the same skills when creating a wedding look), I do love it when I get to stretch those muscles. A gift from the past, still making itself useful to me now.
Much of my time was spent coordinating outfits, with the use of incredible costume store of my good friend, Elizabeth Callow. Due to most garments being varying degrees of old and worn, I spent many hours altering and mending too. In total I had about thirty costumes to put together. But I also found the time to make a few pieces, including Nell`s pink raw silk gown.
I had a lovely time working with all those sumptuous, brocaded fabrics 😍 which costume is speaking to you the loudest?
Photos by @rubysienauk
Just replace fashion house with bespoke bridal boutique, and you get the idea.
(I also hate being filmed like this, but my social media elf, Elle, told me it was a good idea 😅)
These were all labours of love, with a lot of climbing up precariously placed ladders and sweeping up glitter and leaves. But so fun to do!
Which one is your favourite bridal shop window display?
1. Red for Valentine`s day
2. Purple and gold fantasy
3. Rainbows for Pride
4. Black and white for Halloween
5. Sparkles for winter
Now to start planning for 2026...
I managed to complete my window display dress just in time!
This is the 2nd time I`ve made a wedding dress specifically for my window, and I`m not going to go so far as to say it will be a yearly tradition (that`s too much pressure!) but I do enjoy it!
For this one, I wanted to use up bits and pieces I`ve had hanging around for far too long. As a creative person, I think hoarding comes with the territory, so I`ve had boxes of scrap fabric gathering in boxes. And this dress used so much of them up, which was very satisfying.
For this look I made a boned bodice and covered it in white feathers. Then I added layers and layers of tulle, sequins and lace for the skirt, creating this beautiful asymmetric waterfall effect.
A dress fit for an ice queen ❄️
