Rachel contacted me wanting a bespoke early 1910s inspired bridal look. Of all the brides I’ve worked with, she was the one who wanted the dress to be the most historically correct. Although not exact (for example, we didn’t include any corseting), she wanted a period accurate silhouette. During our chats, consultations and fittings I...
This bride was looking for a UK seamstress and found me online. She then approached me, asking if I could make her an elegant couture dress with ruching, pleating and a statement bow. The end result is this opulent, bespoke, bronze gold wedding dress. We combined 1950’s and Elizabethan style details to create a modern,...
Rebecca wanted a Victorian-inspired wedding dress made in deep forest green and ivory silk dupion. We prioritised historical accuracy with this gown, from the custom-made corset underneath, to the embroidered bustle, all the way down to the layers of knife pleats around the skirt. Photography – Yuriy Nutsa Photograhy and Babb Photo Why wear that...
Just before lockdowns began in 2020 I created an Indian Fusion wedding dress for a photoshoot with a London team of suppliers. We wanted to create inspiration for the many mixed culture weddings being planned in the UK. I showcased my fusion wedding dress design skills with an ensemble of ivory silk top, skirt and...
Alice commissioned bespoke silver silk ties and matching hankies for her groom, his best man and ushers. I made the ties in a modern style, from the same silver silk satin as the bridesmaids sashes. Handkerchiefs to match completed the ensemble. Making Bespoke Ties Ties are made ‘cut on the bias’ which means they are...
Alice’s beautiful diamante belt wedding dress was made in layers of white chiffon with hand beaded detailing. I made Alice’s dress with a fitted and boned bodice. I designed a soft v-shaped neckline and invisible zip back closure. Her waistline is decorated with a double loop of hand beading in Swarovski diamante stones. Then we...
Eleanor commissioned a beautiful Victorian wedding dress in palest blue embroidered silk dupion. I designed Eleanor’s dress using a mixture of historical sources as inspiration. Tudor, 18th century and Victorian corsetry came together to create a dress that flattered her petite but curvy figure. I made Eleanor’s dress with a fitted and boned bodice and...
Rikki commissioned a simple, modern chantilly lace wedding dress. Her dress had a sweetheart bodice with lace overlay and lowback complimented by layered silk georgette for the full skirt and train. I made the dress with a lightly boned bodice in a classic sweetheart neckline that then swept low at the back. The whole bodice...
I made a green and gold waterfall train wedding dress for my own wedding day in 2007. Having worked so much in ivory and white I decided to be bright and colourful. And anyway I don’t think white or ivory suits my very pale skin well at all! I made my dress with a boned...
Modelled by Jenny, Zoe, Anna and Charlie Amanda commissioned a custom orange bridesmaid dress for each of her four bridesmaids and five cravats for the groomsmen. The princess line dresses had strapless sweet-heart necklines with a ‘ballet’ style gathered piece at centre front. I made Each orange bridesmaid dress from a copper coloured silk-dupion with...
Posts from Felicity Westmacott
All these lovely words are from my Google reviews. I received some of the most gorgeous feedback in 2025, and every one made me feel so warm inside 🥰
If we worked together last year, then I`d love to hear what you thought of the process and the outcome. You can find my Google Business page just by googling `Felicity Westmacott`.
Make a seamstress happy and a leave me a little review 💬
Photography:
Bryony - @alexandra_weddings
Marina - @liebe_rockt
Karen - @sbyrnephoto
Ashley - @copper_squirrel_photography
2026 is going to be the most whimsical year yet ✨
To be clear, this isn`t me. But I did make the dress, and I did insist on the lovely Lauren twirling in it for me. She`s a brilliant twirler, I think we can all agree 💃🏻
(This 16th century costume dress is now available sale just get in touch for details 🤫)
The cusp between the old year and the new year is always a time for reflection. For me, at least. Looking back at the things achieved, and looking forward to what else might be in store.
One of my favourite projects this year was costuming again at the Archway Theatre. The play was Nell Gwynn, which is set during the Restoration period. Some plays allow for some artistic license when it comes to historically costuming, but for this one, my aim was to be as period (and class) accurate as possible.
My original training was in costume design for theatre, and even though it isn`t a huge part of what I do now (although I often use the same skills when creating a wedding look), I do love it when I get to stretch those muscles. A gift from the past, still making itself useful to me now.
Much of my time was spent coordinating outfits, with the use of incredible costume store of my good friend, Elizabeth Callow. Due to most garments being varying degrees of old and worn, I spent many hours altering and mending too. In total I had about thirty costumes to put together. But I also found the time to make a few pieces, including Nell`s pink raw silk gown.
I had a lovely time working with all those sumptuous, brocaded fabrics 😍 which costume is speaking to you the loudest?
Photos by @rubysienauk
Just replace fashion house with bespoke bridal boutique, and you get the idea.
(I also hate being filmed like this, but my social media elf, Elle, told me it was a good idea 😅)
These were all labours of love, with a lot of climbing up precariously placed ladders and sweeping up glitter and leaves. But so fun to do!
Which one is your favourite bridal shop window display?
1. Red for Valentine`s day
2. Purple and gold fantasy
3. Rainbows for Pride
4. Black and white for Halloween
5. Sparkles for winter
Now to start planning for 2026...
I managed to complete my window display dress just in time!
This is the 2nd time I`ve made a wedding dress specifically for my window, and I`m not going to go so far as to say it will be a yearly tradition (that`s too much pressure!) but I do enjoy it!
For this one, I wanted to use up bits and pieces I`ve had hanging around for far too long. As a creative person, I think hoarding comes with the territory, so I`ve had boxes of scrap fabric gathering in boxes. And this dress used so much of them up, which was very satisfying.
For this look I made a boned bodice and covered it in white feathers. Then I added layers and layers of tulle, sequins and lace for the skirt, creating this beautiful asymmetric waterfall effect.
A dress fit for an ice queen ❄️
